Manchester's band Sea Fever has shared their new single "Go To Ground" taken from their forthcoming record "Surface Sound", according to bassist, Tom Chapman, also a member of New Order, names Go To Ground as the band’s “Italo-Manc disco track… an electronic funky experiment of syncopated beats and anthemic chorus”, the lyrical context reveals sensitivities to be found within the welcome sense of bombastic, wired abandon, is an upbeat, no-nonsense song about ambition and change,” says singer, guitarist and lyricist, Iwan Gronow. “People can be held back by the system, dulled down and told to stay in their place and this is our call to climb out of the box that people put us in.
His hard-hitting photos chronicled major global events such as the Rwanda genocide in 1994, burning oilfields at the end of the Gulf War in 1991, and the famine in the Sahel region of Africa in 1984. His lens revealed the world and its contradictions; his life, the power of transformative action.
Some of his most striking pictures were taken in his home country, including epic photos of thousands of desperate figures working in open-cast gold mines and striking images of the indigenous people of the Amazon. Salgado's final major project, Amazônia, spotlighted the rainforest's beauty and fragility.
A lifelong advocate for the Amazon's indigenous people, Salgado documented the daily lives of a dozen of the tribes scattered throughout the rainforest - from hunting and fishing expeditions, to dances and rituals. He spent seven years on an ambitious photographic journey, exploring the remote reaches of the Amazon rainforest and documenting its inhabitants. The project culminated in an exhibition showcasing over 200 black-and-white images, offering a poignant glimpse into the region's landscapes and communities.
Born in 1944, Salgado left a career in economics to start as a photographer in 1973. He worked on international assignments for a variety of photography agencies before forming his own, Amazonas Images, with Lélia in 1994. He received the Sony World Photography Awards' Outstanding Contribution to Photography in 2024.
Other accolades included the Prince of Asturias Award and recognition as a Unicef Goodwill Ambassador. Through the Instituto Terra, Salgado and Lélia also restored his father's farm in Brazil to thriving rainforest by planting more than three million trees.
The band has shared "Glad," the first single to be taken from the album. Co-written and produced with Tom Rowlands of the Chemical Brothers, "Glad" is a sparkling piece of uplifting pop, and incredibly catchy. The song also features Jez Williams from Doves on guitar. Talking about the track, Sarah Cracknell said: "We asked Tom if he had any songs in progress that might suit Saint Etienne and he sent a backing track that he’d been working on with Jez from Doves. We fell in love with it straight away and the top line melody and words for Glad came easy." Pete Wiggs added: “The song is about taking pleasure in everyday things like nature and the outdoors when life is otherwise getting you down.”
The group aren't splitting up as such – they still remain the best of friends – but they don’t feel like they want to go on forever and wanted to go out with a bang. International follows hot on the heels of The Night – released last November.
Bob Stanley and Pete Wiggs have known each other since childhood and started the group in 1990 with their classic cover of Neil Young's Only Love Can Break Your Heart. Sarah Cracknell joined for their third single Nothing Can Stop Us and the Foxbase Alpha album in 1991. Since then they have branched out into films, books and curation, and became artists in residence at the Southbank Centre. The group simply feels it is now time to draw a line under new recordings.
About the new album International this is very different in style and approach to The Night, but both records are pure Saint Etienne. For International, the trio decided to ask friends, heroes and contemporaries to collaborate with them. That list included Confidence Man, who they discovered were St Et superfans after they played together at Kite Festival in 2022. Brand New Me feels like a rebooted 1991 gem – Nothing Can Stop Us meets Groove Is In The Heart – and features Sarah duetting with Confidence Man’s Janet Planet.
Other collaborators include Erol Alkan (on Sweet Melodies), Vince Clarke (Two Lovers), a duet with Nick Heyward (The Go Betweens) and Paul Hartnoll of Orbital (Take Me To The Pilot) as well as a brace co-written and produced with Tim Powell of Xenomania (Dancing Heart and He’s Gone). The closing track on International is a tear jerker, reflecting on where they’ve been and who they’ve become over three and a half decades – the group say goodbye to their fans, on record, for the very Last Time.
He has Normal Pressure Hydrocephalus, which is caused by a build-up of fluid in the brain and causes problems with his hearing, vision and balance. After being told by doctors to stop performing live, he has called off 17 dates in 2025 and 2026.
Joel said: "I'm sincerely sorry to disappoint our audience, and thank you for understanding,"
A statement issued on his behalf said Joel's condition "has been exacerbated by recent concert performances, leading to problems with hearing, vision and balance". "Under his doctor's instructions, Billy is undergoing specific physical therapy and has been advised to refrain from performing during this recovery period."
The NPH is described by the NHS as an uncommon and poorly understood condition that most often affects people over the age of 60.
He had previously postponed shows in March because of a "medical condition", which was not specified at the time, "to allow him to recover from recent surgery and to undergo physical therapy".
Joel has regularly been on tour in recent years, and ended a record-breaking decade-long monthly residency at Madison Square Garden in New York last year.
A Flock Of Seagulls has shared their brand new single "All To You". Mike Score delivers one of his most powerful songs to date: a lush, emotionally charged pop anthem about selfless love and vulnerability. Taken from their sixth studio album, "All To You" which marks another standout moment in a long-awaited return to original material. It's their first album of new songs since 1995, and a reminder that Mike Score still crafts melodic, meaningful, and irresistibly catchy pop with purpose.
"This is a widescreen and ambitious record", says bass player Mat
Osman. "It’s a big stage record and it’s taking it up a gear". The
recording sessions took place Belgium’s ICP Studios, London’s RAK,
Sleeper Sounds, and RMV in Sweden. Their new single "Disintegrate" is available now.
The new album will be released on CD, cassette and various vinyl editions including a store-exclusive picture disc. The deluxe CD features three bonus tracks and there’s also a limited edition ‘flip-top’ box set, which contains black vinyl, the deluxe CD and "a patch, fanzine & tote bag".
In conjunction with the new album, Suede are announcing Suede Takeover – a special concert series over four nights hosted in different venues across London’s Southbank Centre throughout September 2025. The performances will see Suede present their live show "in completely new ways". The first two dates on 13 and 14 September (at the Royal Festival Hall) will be concerts of “loved classics, hits and brand new music", while on the 17 September will see the band play the Purcell Room for an “unusual and intimate off-mic evening". The residency closes on 19 September in the Queen Elizabeth Hall, with Suede’s first-ever full orchestral headline show, in collaboration with the Paraorchestra.
This brand new box set features the Scottish band's two late 80s albums – Meet Danny Wilson from 1987, which features the hit single "Mary's Prayer", and 1989 follow-up Bebop Moptop. Unfortunately the group disbanded in the early 1990s.
Additionally, the new box set features a generous selection of B-sides, remixes and edits, with two CD's worth. A fifth disc offers a complete live show from London’s Town and Country Club.
This collection includes a booklet with new interviews from the band (who are supporting this release). Complete Danny Wilson will be issued on 6 June 2025, via Cherry Red.
CD 3: B-sides / Edits / Mixes
Berninger is still, for the most part, a socially obsessed claustrophobe. He has upper-class guilt on "Lemonworld", no "Bloodbuzz Ohio"'s magnificent chorus. It seems that he's best when he tones down the angst in favor of reflection or confusion. High Violet seems less likely to engender the personal connections of Boxer, but it's also bigger and more engaging a possibly offputting combination for a band following the footsteps of Echo and the Bunnymen, Wilco, and Arcade Fire.
High Violet was the sound of a band taking a mandate to be a meaningful rock band seriously, and they play the part so fully that, to some, it may be off-putting. But these aren't mawkish, empty gestures; they're anxious, personal songs projected onto wide screens. Even if you don't consider yourself an upwardly mobile stiff with minor social anxiety, the National make it sound grand, confusing, and relatable.
Signed to London Records, the band – according to Will Hodgkinson, who pens sleeve notes for this re-release – “were the very essence of indie – they helped define its jangling, guitar-led sound – while maintaining an accessibility that went to the heart of their working-class roots“.
The album reached a modest No 22 at the time despite delivering four UK top 40 singles, including the beloved "Young at Heart", which peaked at No. 8(it would reach No 1 in 1993 when re-released due to its inclusion in a VW Golf advert). Despite the success, it would be the group’s only album and they disbanded a few years later.
Formats for the new reissue are a 3CD+DVD box set
which offers B-sides, non-album tracks, live and extended versions,
previously unreleased BBC sessions and early takes, music videos and TV
performances. A 2LP vinyl edition offers the album on the first LP and highlights from the CD bonus tracks on the second.
Sisters is reissued on 27 June 2025, via London Records. The Bluebells will perform on the Acoustic Stage at Glastonbury Festival a day after the release date, and will tour around the UK throughout the summer and autumn.
Sisters Track List:
Released on 8 May 1990 "Wilson Phillips" was the debut studio album by the US Band "Wilson Phillips" the album was full of smart, accessible songs, and peaked at No. 2 on Billboard 200, selling over 5 million copies in the USA and 8 millions worldwide. Five singles were released from the album, with "Hold On", "Release Me" and "You're in Love" all reaching number one on the US Billboard Hot 100 singles chart. "Impulsive" reached number four, and the fifth single, "The Dream Is Still Alive", peaked at number 12. The album and its singles earned the group five Grammy Award nominations, including Album of the Year, Song of the Year and Best New Artist.
Wilson Phillips seemed to have arrived out of nowhere, though it was actually the result of several years' hard work by three young, Los Angeles-based vocalists and songwriters with a distinguished Californian heritage. Chynna Phillips was the daughter of John and Michelle Phillips, formerly of The Mamas And The Papas, while the Beach Boys’ legendary Brian Wilson was the father of Carnie and Wendy Wilson.The trio's collective pedigree meant that Wilson Phillips' music inevitably attracted scrutiny.
However, Chynna, Carnie and Wendy were determined to stand or fall on their own merits. Crucially, the trio's collective decision not to rush-release music also worked in their favor. They wrote the songs for Wilson Phillips over a three-year period, with Chynna Phillips telling the Los Angeles Times the group took that time to evolve – the more we practiced, the more we sang together, the easier it became, and we began to have our own sound.
Overseen by producer Glen Ballard and featuring an all-star musical cast including the Eagles’ Joe Walsh, Toto guitarist Steve Lukather, and Little Feat keyboardist Bill Payne, Wilson Phillips was a highly consistent collection – and a timely reminder that well-crafted pop songs illuminated by sparkling harmonies and catchy melodies will never really go out of style. With almost every song sounding like a potential hit. The lyrics based in part on Chynna Phillips' own personal struggles with drugs and an abusive relationship, struck a chord with listeners worldwide, something which didn't entirely surprise Wilson Phillips. “It’s funny, because I knew when the song was being written that it was inspired by something greater than myself,” Phillips told the Los Angeles Times. “I knew that it was going to touch a lot of people, and it did. And that’s a wonderful feeling.”In the wake of “Hold On,” the Wilson Phillips album also touched music fans worldwide, yielding multi-platinum sales and a series of Grammy nominations as the record decamped inside the Top 10 of the Billboard 200 for a whole year.
Released on 8 May 1990 "Goodbye Jumbo" was the second studio album by Welsh-British band World Party. The album received generally positive reviews from critics and peaked at No. 73 on the US Billboard 200 and No. 36 on the UK Albums Chart. The album spawned three singles "Way Down Now", "Put The Message In The Box" & "Thank You World". In the case of "Way Down Now", the album's lead single, spent five weeks at number one on the Billboard Alternative Songs chart, and follow-up single "Put the Message in the Box" reached No. 8.
Definitely 1990 was a pretty good year in rock and pop, and this rare-ibis emerged out of nowhere to coquer the radio airwaves, the album was curiously enough one of the best albums of that year according to Q magazine and dozens of critics. Karl Wallinger, formerly of the Waterboys alongside Mike Scott, had embarked on a promising solo career with his band World Party
He confirmed his particular gift for late-period Fab Four-inspired music on Goodbye Jumbo, an album of effortless melodicism and adult pop with allusive lyrics about God, the green revolution, love in many forms and much more. With a tidy 12 tracks, potentially huge hits in the trippy pop of "Put The Message In The Box" and the rocky "Way Down Now", Goodbye Jumbo was the great album that went past just about everyone. Wallinger wasn't a man for swagger: his lyrics were cleverly crafted and his music - which he wrote and often performed almost every part himself in the studio - was subtle, discreetly referenced in his role models sometimes the Stones as much as the Beatles and he could cleverly incorporate a line from Iggy Pop as if it was the most natural thing in the world.
Goodbye Jumbo bristles with musical ideas, but they are all contained within the pop-rock format. The gritty "Way Down Now" cuts right back for an intimate central section and the lyrics offer bewildering post-psychedelic confusion; "Ain't Gonna Come Till I'm Ready" is a sly nod to soft psychedelic Curtis Mayfield-soul; he fades up "When the Rainbow Comes" just as the Beatles did with Eight Days A Week and it hits its peak in ringing chords and an optimistic invitation to "step out of the open door . . . build a new house down by the sea". But definitely "Put The Message In The Box" is gentle power pop and slightly prescient in its lyrics if you think that Oasis were on their way
This was an album of the old style where every note in every song mattered, and where each song was memorable and distinctive. It moves easily through different styles but every one is within Wallinger's confident grasp. And it didn't sound overly studied or too clever-clogs. Whether it be a piano-framed ballad like "God on my Side", the studio-funk of "Show Me To The Top" or the trippy "Thank You World", Karl Wallinger proved he had what it took.