After the massive success of George Michael's 1987 album Faith, expectations for his follow-up album were also high. Michael wanted to be taken more seriously as a songwriter, which resulted in a more thoughtful, often moody recording. Like Faith, each track was produced and arranged by Michael himself. The recording sessions commenced in July 1989 at producer Chris Porter's house, near Guildford, before being moved to Metropolis Studios in Chiswick, London.
Curiously the lyrics doesn't reveal anytime about the singer's sexuality, it was all about the music that showed Michael was a truly complete artist, asimilating a variety of influences from rock, pop, soul, randb and even jazz pop, Michael decided to rehearse a collection of serious and serene songs with different music styles, from the jazzy "Cowboys And Angels", the healing "Heal The Pain" in which Michael played the bass, the massive "Freedom '90", the acoustic "Waiting For The Day" and the serious and social concern on "Praying For Time"
The album entered the Billboard 200 at number 22 and peaked at number two. The album spent the rest of 1990 in the top ten, with a total of 42 weeks on the entire chart. In the United Kingdom, the album was a huge success, eclipsing sales of Faith. Listen Without Prejudice debuted on the UK Albums Chart at number one. It stayed at number two for the following two weeks.
Michael refused to appear in the music videos for the album's singles. Accordingly, the video for "Praying for Time" consisted of the song's lyrics projected onto a dark background, while the video for "Freedom! '90", directed by David Fincher, featured several supermodels lip syncing its lyrics, and the destruction by fire and explosion of several icons from Michael's recent Faith period.
Listen Without Prejudice Vol. 1 received widespread acclaim reactions from music critics upon release. Proving that he was more than just another pretty voice, another disposable pinup, the album succeeded in its effort to establish Michael's seriousness and deliver him from caricature, cause the album was an impressive piece of work in which Michael's rich feel for melodies and instinctively perfect production skills have finally met up with songs that have the ring of personal, not commercial, passion.

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