According to history, Buckingham began Go Insane on a 24 track machine in his garage, where he assembled a series of rough demos. Then moved temporarily these recordings and waited for Richard Dashut, who had co-produced Buckingham's 1981 debut album, "Law and Order". However, the sessions for the "I'm Not Me" album for Fleetwood Mac lasted longer than anticipated, and producer Dashut declined Buckingham's offer, citing burnout.
"Go Insane" did not include any acoustic drumming. Instead, he programmed the drums on a LinnDrum drum machine and Fairlight CMI sampling synthesizer. Buckingham started most of the songs with a programmed drum track and built upon them once he developed a more defined idea of what the finished product would be. Buckingham transferred production work from his home to Cherokee Studios, where most of the lead vocals were recorded. During this time, Buckingham was running low on tracks, so he transferred his material to a Stephens 40-track machine that Roy Thomas Baker leased.
The album opened with "I Want You"with the sound of alarm bells from a Fairlight CMI, then come "Slow Dancing" were lifted from the album as one of the two singles and eventually this became Buckingham's second top 40 in the United States, next was the title-single "Go Insane" and intense a song that was about to be on the verge of insanity in the years to come, he explained that the song was about his post-break up realtionship with former lover Stevie Nicks, the single reached No. 23 on Billboard top 100, Buckingham noted that "I Must Go" was about ending a relationship, stating that "commitment can become no less than a form of self-destruction. At some point, you’ve gotta let go". "Play In The Rain" is a seven minute musique concrète composition split into two parts: one on the end of side one and another on the beginning of side two, the Part 1 was engineered entirely by Buckingham, and on the original vinyl LP release the track ended side one and was recorded up to and onto the runoff groove creating what is known as a "continuous locked groove" where the last couple of seconds of the track play continuously until the phonograph arm is lifted.
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