martes, agosto 25, 2026

In Memoriam: The Great "Dolly Parton" Has Died Aged 80

Dolly Parton, one of the greatest singer-songwriters in country music who was also much cherished for her philanthropy, has died aged 80. Her death was announced by nephew Brian Seaver on Instagram. "I have imagined the heaviness of this moment but haven't truly felt it until now," he said. "It is an honour, an honour that is mixed with absolute pride and great sadness."

Parton's songwriting was characterised by its vivid storytelling, emotional acuity and melodic strength, all sung with strident clarity. From an eventual catalogue of hundreds of songs, she scored a record 25 US country No 1 singles and 47 albums in the country Top 10 . She crossed over into the pop charts with 9 to 5, a US No 1 in 1980; balanced her music career with acclaimed acting, twice earning Golden Globe nominations for her roles; and her Imagination Library literacy scheme donated more than 150m books to children.

This was all done with considerable panache, rhinestoned glamour and towering hairdos, with her immortal assertion regarding her appearance –  "it takes a lot of money to look this cheap" – the most quoted example of Parton's ready wit. Parton was born in poverty in a one-room cabin in Tennessee, the fourth child to a mother who would have 12 children by the age of 35, and a father who was a farmer and construction worker. One of her best-loved songs, Coat of Many Colours, was about her mother creating patchwork clothes; Parton's first guitar was cobbled together from a mandolin with bass guitar strings. Her first proper guitar was given to her aged eight by her uncle, and she went from singing in church, to appearing on local television aged 10, to cutting her first record aged 13. That year she appeared at the Grand Ole Opry, the concert hall in Nashville at the centre of country music, and her performance was introduced by Johnny Cash. 

After graduating high school in 1964 she moved to Nashville and started out as a songwriter rather than performer. The following year she was signed as an artist and initially moulded as a pop singer, without success; after she was allowed to switch to country, she scored back-to-back hits and released her debut album Hello, I’m Dolly. In 1966 she married Carl Dean – who died in 2025, with the couple renewing their vows in 2016 to mark 50 years together.

Beginning in 1967, a duet partnership with country singer and TV personality Porter Wagoner helped her star continue to ascend, and she had her first country No 1 in 1971 with the song Joshua. Then appeard "Jolene," her unforgettably raw and desperate plea to a rival lover, was released in 1973 and became one of her first success, written at the same time, "I Will Always Love You," written to Wagoner as a farewell after their creative partnership, was a country No 1 in 1974 and again via a re-recorded version in 1982, and would go on to be a huge pop success when revived by Whitney Houston for the soundtrack of The Bodyguard in 1992: it is still the bestselling single of all time by a woman, with an estimated 20m sales.

In the mid 1970s Parton broadened her sound, embracing pop-rock arrangements on songs such as 1977’s Light of a Clear Blue Morning – its accompanying album New Harvest … First Gathering was her first entry in the pop album chart. Later that year its follow-up Here You Come Again reached the Top 20 and was her first million-selling LP, powered in part by its hit title track, which also won Parton the first of her 10 Grammy awards.

1980 was a peak in her success, with three back-to-back country No 1s, including 9 to 5, taken from the film of the same name which Parton starred in alongside Jane Fonda and Lily Tomlin, earning her an Oscar nomination for best original song. Parton would later write songs for a stage musical version of 9 to 5, in 2008.

Another classic single came in 1983: Islands in the Stream, a duet with Kenny Rogers, which topped the US pop charts, and a Christmas album with Rogers in 1984 went two times platinum. There were more notable film roles in the 1980s, too, opposite Burt Reynolds in the The Best Little Whorehouse in Texas, Sylvester Stallone in Rhinestone, and an all-star female ensemble in Steel Magnolias.

A landmark Parton album came in 1987 with "Trio," an exquisitely harmonised, springwater-clear collaboration with Emmylou Harris and Linda Ronstadt, earning Parton her only nomination for album of the year at the Grammys. Another all-star trio recording came in 1993, with Tammy Wynette and Loretta Lynn on the album Honky-Tonk Angels, followed by a reunion with Harris and Ronstadt for Trio II in 1999, featuring a Grammy-winning cover of Neil Young’s After the Gold Rush.

The turn of the century brought a trilogy of acclaimed bluegrass albums, and Parton would release 10 more LPs, the most recent being Rockstar in 2023. She was courted by a younger generation of stars, appearing with country artists such as Brad Paisley as well as pop singers such as Kesha, and her goddaughter Miley Cyrus. There were fewer acting roles, but she lent her voice to animated film Gnomeo and Juliet in 2011 and the following year appeared alongside Queen Latifah and more in the musical film Joyful Noise.

Alongside her music and acting, Parton was an astute businesswoman and philanthropist. She founded the film and TV production company Sandollar, with former manager Sandy Gallin, which went on to produce hits such as Buffy the Vampire Slayer and the Father of the Bride film series. In 1986, she took a stake in the Silver Dollar City theme park in Tennessee and renamed it Dollywood, doubling its size over the next two decades, and a Dollywood-branded spa, cabin complex, theatre-restaurant concept and waterpark have since been opened.

The Dollywood Foundation, funded through these business ventures and creative projects, was created in 1988, initially awarding college scholarships and running a scheme to help children complete high school in her native Sevier County, Tennessee. In 1995 Parton began her Imagination Library project, which sent an age-appropriate book to every child in the county every month until they were five. “My father could not read and write, and I saw how crippling that could be,” she explained. It expanded nationwide in 2000, internationally in 2006, and nearly 25m books are now distributed each year across the US, Canada, Australia, the UK and Ireland.

Parton has also set up a reserve in 2003 to help preserve the bald eagle; contributed $500,000 to the opening of a Sevier county hospital in 2006; coordinated relief efforts for those affected by the Smoky mountain wildfires of 2016; and contributed to an HIV/Aids charity album. She supported Black Lives Matter and transgender rights, opposing a North Carolina “bathroom bill” that restricted transgender people’s access to toilets (Parton was also nominated for an Oscar for her song in trans drama Transamerica, entitled Travelin’ Thru).

She made a number of donations to Vanderbilt University Medical Center in Nashville, Tennessee, where her niece was treated for leukaemia. The most high profile of these was in 2020, when she donated $1m for research into Covid-19, which formed the basis for the eventual Moderna vaccine.

New Music: It's Time

            
Johnny Marr shares a new single "It's Time" the third cut from his upcoming fifth solo album "The Age of Everything" – following "Spin" and "Ophelia" – sees Marr “singing about some worldly issues but finding defiance in idealism”. He explains: “I wanted a lyric that matched the exuberance of the music but is actually about resisting cynicism and corruption: ‘Everybody ain’t making it / Change the weather and breaking it / Mobilise to know the truth / Open eyes to know the truth.’ A music video was filmed earlier this year at Marr's biggest solo headline gig to date, at Manchester's Castlefield Bowl

New Music: Wasted

           

Robyn Hitchcock shares "Wasted" his new single taken from his latest album "The Confuser", according to Hitchcock: This song came to me late last summer in a San Francisco hotel room about an hour before checkout time. It was impatient to arrive: no sooner had I said to myself "Why don't you make up something in the key of F?" than out it came, more or less fully formed. Occasionally I would put the guitar down in order to transcribe the words coming out of my mouth; and - voilà! - there it was. A month later I recorded it with my Nashville crew for The Confuser sessions; after a little pruning and a few judicious overdubs "Wasted" found its place as the last track on the album. It’s a summary of where the world and I are at so - why not?. The video has been shot on location in Egersund earlier this month by Josh  McCartney.

sábado, agosto 22, 2026

New Music: There Was You

            

Teenage Fanclub have shared their new single "There Was You,"  the latest preview of their forthcoming album, Do Not Dare To Dream. The album opener is a classic "I was lost but now am found" says the lyrics setting the tone for the record with its waltz rhythm, warm guitars, and instantly singable melody. The video has been shot by frequent Teenage Fanclub collaborator Donald Milne 

 

viernes, agosto 21, 2026

New Music: Sensational

           

Wishy are releasing a new album, Nature’s Pill, on October 2. Now they have shared its third single,  "Sensational," via a music video that features the band performing in the pages of a composition notebook. Jess Dunn animated and directed the video. Previously the band released "Lovesick," & "All the Rage," 


New Music: Pigwig

           

Bloc Party will release Anatomy Of A Brief Romance, next month. It's a new concept album that tells the story of a chaotic rebound relationship. Meanwhile, they share the propulsive new single "Pigwig." A strange title for a track but in a press release, frontman Kele Okereke says "Pigwig" is about the moment of realizing that you have been hit by a very big love, almost as if it’s against your will, this song is probably one of the sweetest on the album, as it recalls a memory of a romantic seaside trip at the most magical point of our relationship. Laura Perrett directed the video.

miércoles, agosto 19, 2026

New Music: Marianne

           

The Irish band Fontaines DC returns with "Marianne" the first taster of the their freshly-announced upcoming James Ford-produced fifth album "Dopamine Chamber", this is the first single taken from their 5th., studio album due on 16 October. The video is directed by Dave Meyers who sets a bold new cinematic scene in their search for escape by sending a surreal postcard from the brutal Lynchian world on this colourful video


News/Documentary: Oasis Emotional Documentary Trailer "Don't Look Back In Anger" Is Here

           

A new trailer for the upcoming Oasis documentary "Oasis: Don't Look Back in Anger" is out now. The film follows the band's 2025 reunion tour, which marked the first time brothers Noel Gallagher and Liam Gallagher had shared a live stage in 16 years, following a highly publicized feud.

"The songs are one thing, but I'd forgotten what he means to people," Noel Gallagher says in a voiceover, presumably referring to his brother. "I certainly wasn't prepared for the intense outpouring."

Oasis' 2025 reunion tour was regarded as "one of the most anticipated rock 'n' roll comebacks of our time," according to a press release. The press release adds that the upcoming documentary is "an unapologetically uplifting account" of the band's 2025 tour and captures "the experience and emotions of the band and their fans across the world."

In addition to never-before-seen footage from their tour, the documentary will also include Noel and Liam Gallagher's first joint interview in over 20 years.

"Don't Look Back in Anger" is set to hit theaters and IMAX on Sept. 11. Limited IMAX early access screenings will take place Sept. 9. Tickets are on sale now.

The documentary will be available to stream on Hulu and Disney+ later in 2026.

martes, agosto 18, 2026

Rocktrospectiva: The Impressive, Intimacy And Cohesive "Vespertine" Turns 25

Released on 18 August 2001 first in Japan and on 27 August in the USA, "Vespertine" was the 4th., studio album by the Icelandic singer and songwrite Björk, according to her, she aspired to create an album with minimal and intricate electronic music to evoke an intimate and domestic feeling, in contrast with the louder styles of her previous studio album Homogenic.  She enlisted producers such as Opiate, Console and the duo Matmos, and also worked with harpist Zeena Parkins. The album spawned the singles "Hidden Place", "Pagan Poetry" & "Cocoon". The music videos of the latter two were banned on MTV for their depictions of sexuality.

Björk composed arrangements with thin-sounding instruments, including the harp, the celesta, clavichord, strings and custom music boxes. Assisted by Matmos, Björk created "microbeats" from various commonplace sounds, such as that of shuffling cards and ice being cracked. Lyrically, the album drew inspiration from Björk's new relationship with Matthew Barney, exploring themes related to sex, intimacy, eroticism, and love. Other lyrical sources include the poetry of E. E. Cummings and British playwright Sarah Kane's Crave. The album has been noted for its erotic, intimate mood and sonic experimentation, Vespertine received universal acclaim from music critics, with some considering it Björk's best album to date.  

Björk had released her previous studio album, Homogenic, in 1997. The album's style differed from her previous two releases, described by her as "very emotionally confrontational and [...] very dramatic". She also described "All Is Full of Love"—Homogenic's closing track—as the first song on Vespertine, as it opposed the rest of the album's "aggressive, macho" aesthetic. Writer and critic Mark Pytlik writes, "Her appetite for thumping techno had been, temporarily at least, subsumed by a desire for stark melodies and minimalist production".

In 2000, she starred in Lars von Trier's Dancer in the Dark, and composed its soundtrack, Selmasongs. While she worked on the film, she also began producing her next album, writing new music, and teaming with new collaborators. She has said "Selmasongs was the day job and Vespertine was the hobby". During this time, she also began to use her new laptop to write music, and Vespertine has been retrospectively referred to as "her laptop album"She initially set about making a record with a domestic mood featuring "everyday moods and everyday noises translating into melodies and beats", hence its working title Domestika.

Her new relationship with artist Matthew Barney, and the stress she experienced while filming Dancer in the Dark, have been referred to as the two major forces that shaped what would become Vespertine. Her relationship with Barney influenced her lyrics, which became more intimate, detailed, and revealing in contrast to her past works. As Björk had to be extroverted during the filming process, the music she wrote for Vespertine also became hushed and tranquil as a way for her to escape. In fine style, Björk had set out to write an album about making sandwiches. She'd ended up with an album about making love". A stylistic antecedent was her poem "Techno Prayer", published in Details magazine in July 1996, which would later be used as part of the lyrics of "All Neon Like". It featured thematic ideas such as cocooning and thread-weaving that she would later explore on Vespertine.

Björk has stated that she wanted the album to sound like "modern chamber music", referring to the times where "the most ideal music situation was in the home, where people would play harps for each other". She also considers Vespertine to be the opposite of her previous studio album Homogenic, the former being an introverted, quiet, winter record; the latter a loud, dramatic, summer record. Björk has also described the album as "more electronic folk music". Critics have classified Vespertine as electronica, art pop, psychedelia, ambient, folktronica, and glitch pop. Björk's performance on Vespertine has been described as that of an "art-rock torch singer".

Stylistically, Vespertine incorporates elements of both art and dance music. For example, the instrumentation of choir, strings, and harp is suggestive of Romantic art music, while the "synthesised keyboard sonorities, filtering effects and complex percussive sounds" are elements characteristic of dance-based pop. Vespertine is also characterised by "the obsession with sonic traces of analog technology – that is, the pervasive use of loops, static and white noise". Unlike her previous albums like Debut and Post, "electronic sounds are the norm, and the acoustic sounds become the interjections." Influenced by the 1999 album New Ancient Strings, a recording of kora duets by Toumani Diabaté with Ballaké Sissoko, Björk's voice was used as a supplement to "the complex electronic textures". Her vocals often appeared to be recorded close to the microphone and with little treatment, and sung in a sometimes "unstable whisper", conveying a sense of close proximity and reduced space suitable for the 

The album opener "Hidden Place", featured a soprano section and strings, "over the top of a warm, intimate melody". Björk sang about "how two people can create a paradise just by uniting", as she intones: "I'm so close to tears/And so close to/Simply calling you up/And simply suggesting/We go to that hidden place". "Cocoon" was based around an exploratory bassline and beats that sound like fingertips on skin". "It's Not Up to You" has been described as a "dizzying ballad" and a song that lifts the album upward. The "caressing lyrics" of "Undo" assure that: "It's not meant to be a strife/It's not meant to be a struggle uphill". "Pagan Poetry" is a "harp-splashed" song that concerns unrequited love. The instrumental interlude "Frosti" has been described as "metallic tundra".

"Frosti" faded into "Aurora", while "a warm, faintly crunchy sound" is heard. These are samples of footsteps in the snow—the work of Matmos—re-appropriated as the song's "subtly shifting beat". "Aurora" has been described as "something that appeals to a child-like imagination", and having a "magical and airy quality". "An Echo, a Stain" is underpinned by a creeping choir line and nibbling clicks, and featured an "unresolved, ominous tension" that is atypical of her writing style. "Sun in My Mouth" was an adaptation of E. E. Cummings' poem "I will wade out/Till my thighs are steeped in burning flowers", with an emphasis on the vocal and accompaniment provided by a string orchestra, a harp, and soft electronica. "Heirloom" altered "between what sounds like a samba preset on a vintage Wurlitzer organ and skittering breakbeats, and is decorated with inverted synthtones and analog keyboards". Film director Harmony Korine wrote "Harm of Will"'s lyrics. The Slate album review noted the minimalist nature of the track, pointing out a lack of hook, beat and melody. It was a slow song, as it was the closing track, "Unison". The latter contained a refrain directly inspired by Björk's experience in Dancer in the Dark and a healthy dollop of self-effacing humor evoked to counter the balance"

The cover art, shot by Inez van Lamsweerde and Vinoodh Matadin in Los Angeles, California, was a black and white photograph of Björk lying down on the patterned ground next to a swimming pool, covering her eyes from the sun and wearing the Marjan Pejoski swan dress that she wore at the 73rd Academy Awards in 2001,

Vespertine received universal acclaim from music critics. The album received some praise for its themes of intimacy and introversion, considered one of the most impressive and cohesive albums of that year 2001, for its nuance and delicacy, describing its sonic palette as a breath of fresh air.
 
Vespertine Track List: 
 
1. Hidden Place
2. Cocoon
3. It's Not Up To You
4. Undo
5. Pagan Poetry
6. Frosti
7. Aurora
8. An Echo. a Stain
9. Sun In My Mouth
10. Heirloom
11. Harm Of Will
12. Unison

Rocktrospectiva: The Breakingthrough "Slippery When Wet" Turns 40

Released on 18 August 1986 "Slippery When Wet" was the 3rd., studio album by the US rock band Bon Jovi, it was produced by Bruce Fairbairn and is considered a breakthrough for hair metal, cause it was the album that turn heavy metal into a radio-friendly pop format. The album spawned four singles that nowadays are considered amongst the band best-known songs "You Give Love A Bad Name", "Livin' On A Prayer", "Wanted Dead Or Alive" & "Never Say Goodbye." 

Slippery When Wet was an instant commercial success, spending eight weeks at No. 1 on the U.S. Billboard 200 chart and was named by Billboard as the top-selling album of 1987, and is considered  Bon Jovi's best-selling album to date.

Upon its 1985 release, 7800° Fahrenheit achieved moderate success, but Bon Jovi had not yet become superstars. The band changed its approach for the next album, with a more mainstream sound than the heavier first two albums. Hiring Desmond Child as a collaborator, the band wrote 30 songs and auditioned them for local New Jersey and New York teenagers, basing the album's running order on their opinions. Bruce Fairbairn was chosen as the producer for the album, with Bob Rock as the mixer. 

Much of the album was written by Jon Bon Jovi and Richie Sambora, whereas "You Give Love a Bad Name", "Livin' on a Prayer", "Without Love", and "I'd Die For You" were co-written by the duo with Desmond Child, and "Wild in the Streets" was by Jon Bon Jovi alone. This was the first time Desmond worked with Jon and Richie. He came to New Jersey, where they worked on the four songs in Sambora's mother's basement.

Jon Bon Jovi explained, "I liked what Bryan Adams had done with Tina Turner so I suggested we do something similar: I write a song for someone like her, and then we do the song together. But that got changed, and our A&R guy came up with Desmond's name ... He hasn't tried to change what we are, but to refine it slightly; to suggest extra ways that we could wring a bit more out of what we had." Jon Bon Jovi was initially reluctant to include "Livin' on a Prayer", believing it was not good enough. Sambora convinced him it was a hit in the making, and so the band rerecorded it, releasing the second version on the album. It is Bon Jovi's signature song.

The album's name was changed during its inception, including Wanted Dead or Alive. A proposed cover with the band dressed as cowboys was later used for the single release of the track of the same name. According to Jon Bon Jovi, the band named the album Slippery When Wet after visiting The No.5 Orange strip club in Vancouver, British Columbia. According to Sambora, "This woman descended from the ceiling on a pole and proceeded to take all her clothes off. When she got in a shower and soaped herself up, we just about lost our tongues. We just sat there and said, 'We will be here every day.' That energized us through the whole project. Our testosterone was at a very high level back then."

The cover consists of a wet black garbage bag with the words "Slippery When Wet" traced in the water. "So simple, and not very impressive", said Sambora. The album originally was to feature a busty woman in a wet yellow T-shirt with the album name on the front of the shirt. This was swapped for the plastic bag cover just prior to release. The reasons given for the switch were record executives' fears that dominant record store chains at the time would have refused to carry the album with a sexist cover, and Jon Bon Jovi's dislike of the bright pink border around the photograph the band submitted.

However, the album that changed everything for the New Jersey rockers was Slippery When Wet , which debuted in record stores on August 18, 1986. A work full of huge anthems that became the album that made Bon Jovi known both in their country and throughout the world.
 
Slippery When Wet Track List:  
 
1. Let It Rock
2. You Give Love A Bad Name
3. Livin' On A Prayer
4. Social Disease
5. Wanted Dead Or Alive
6. Raise Your Hands
7. Without Love
8. I'd Die For You
9. Never Say Goodbye
10. Wild In The