Released on 21 July 1986, "Panic" was a song by the English rock band the Smiths, written by lead vocalist Morrissey and guitarist Johnny Marr. It was the band's first recording as a five-piece featuring new member Craig Gannon, "Panic" bemoans the state of contemporary pop music, exhorting listeners to "burn down the disco" and "hang the DJ" in retaliation.
The song was released by Rough Trade as a single and reached No. 7 on the Irish Singles Chart and No. 11 in the UK Chart. Morrissey considered the song's appearance on daytime British radio a "tiny revolution" in its own way, as it aired amongst the very music it criticised. It was later included in the compilation albums The World Won't Listen and Louder Than Bombs both from 1987.
"Panic" was recorded at London's Livingston Studios in May 1986. It was the group's first recording sessions since they completed work on their third album The Queen Is Dead six months earlier. During the interim period, bassist Andy Rourke had been fired due to his heroin addiction, which had interfered with his playing. The band hired Craig Gannon to replace him, but after they rehired Rourke, guitarist Johnny Marr offered Gannon a position as second guitarist.
The then five-piece band worked with producer John Porter; this was his first work with the group in two years. He was concerned that the song was too short, so he copied the band's first take from 5 May and spliced a repetition of the first verse at the end to increase its length. The group was unimpressed and opted to leave the song as they originally structured it.
A story circulated as the basis for the song holds that Marr and Morrissey were listening to BBC Radio 1 when a news report announced the Chernobyl nuclear disaster. Straight afterwards, BBC disc jockey Steve Wright played the song "I'm Your Man" by pop duo Wham! "I remember actually saying, 'What the fuck has this got to do with people's lives?'" Marr recalled. "We hear about Chernobyl, then, seconds later, we're expected to jump around to 'I'm Your Man'". While Marr subsequently stated that the account was exaggerated, he commented that it was a likely influence on Morrissey's lyrics. The band later commissioned a T-shirt featuring Wright's portrait and the phrase "Hang the DJ!"
Now "the anecdote might well be true," writes Tony Fletcher in A Light That Never Goes Out, his biography of the Smiths, but he states that "I'm Your Man" had been off the UK pop charts for several months by the time of the Chernobyl disaster and that "Morrissey hardly needed further provocation to attack Wright, whose highly ranked afternoon show treated all popular music as secondary to his madcap party format". The antagonism was apparently mutual; former Smiths manager Scott Piering says that at a 1985 meeting, Wright and his producer both made clear that they disliked the band's music. Moreover, the song itself makes no mention of the radio.
The song began with Morrissey mentioning chaos unravelling throughout Britain and Ireland (specifically mentioning London, Birmingham, Leeds, Grasmere, Carlisle, Dublin, Dundee, and Humberside). In the second part of the song, he revealed that the source of this chaos is pop music, which "says nothing to [him] about [his] life". In reaction, he implores listeners to "burn down the disco" and "hang the DJ", the latter lyrics repeated with the addition of a chorus of schoolchildren. Journalist Nick Kent described "Panic" as a mandate for "rock terrorism". John Luerssen calls it a "commentary on the tepid state of pop music in 1986" and a "chiming guitar song," based around a rotation between the G major and E minor chords.
"Panic" drew negative reaction from some critics who construed Morrissey's lyrics to have a racist connotation. Paolo Hewitt in the NME wrote, "If Morrissey wants to have a go at Radio 1 and Steve Wright, then fine [but] when he starts using words like disco and DJ, with all the attendant imagery that brings up for what is a predominantly white audience, he is being imprecise and offensive". Fletcher says that the lack of any explicit indication the song was about radio meant "Panic" "could be construed as reviving the racist and homophobic 'Disco Sucks' campaign of late 1970s America".
Morrissey denied the accusation, and in a September 1986 Melody Maker interview with Frank Owen decried Owen's suggestion that he was leading a "black pop conspiracy". Additional criticism was sparked by the same interview, wherein Morrissey was quoted naming reggae as "the most racist music in the entire world". Marr, in particular, was incensed by the article and in a 1987 NME interview threatened to "kick the living shit" out of the writer if he met him, such was his anger at the article's slant. He also countered that "disco music" could not be simply equated with "black music", saying, "To those who took offence at the 'burn down the disco' line [...] I'd say please show me the black members of New Order!"
The single cover had an image of a young Richard Bradford, known for his lead role as private eye McGill in the 1960s British TV adventure series Man in a Suitcase, features on the sleeve cover. Etching in the runout on the British 7" single reads "I DREAMT ABOUT STEW LAST NIGHT", a pun on a lyric from "Reel Around the Fountain" ("I dreamt about you last night"), while the 12" version did not have a matrix message. The German 12" runout reads "HANG THEM HIGH MONIKA/HANG THEM HIGH MONIKA
Finch's bandmates shared the news of her death on Saturday on Instagram, calling her a "beloved bandmate, friend, and fellow troublemaker".
"She had a long courageous fight with brain cancer and was loved by many wonderful friends, musical peers and fans worldwide," wrote L7's Donita Sparks, Suzi Gardner and Demetra "Dee" Plakas.
Finch was due to join L7 on the feminist rock band's The Last Hurrah farewell tour this year, however, she pulled out last week after revealing her brain cancer diagnosis, giving the band her blessing to forge ahead.
A GoFundMe campaign to help pay for her treatment, launched by friends and family, swiftly surpassed its goal and raised nearly $US400,000. Despite initial radiation treatment, "unforeseen complications" led to Finch enduring "multiple surgeries and a string of difficult setbacks".
Born on August 5, 1966, and raised by her adoptive parents in Los Angeles, Finch had a passion for photography, often documenting the city's burgeoning punk and alt-rock scenes, snapping influential groups like The Cramps and Bad Religion.
In the early 80s, Finch played bass in Sugar Babydoll, led by future Hole frontwoman Courtney Love, and The Pandoras.
Finch joined L7 in 1986, a year after Donita Sparks and Suzi Gardner formed the band. They released their self-titled debut in 1988 via influential independent record label Epitaph.
After adding Dee Plakas on drums, the group's 1990 album Smell The Magic made them one of the few non-Seattle bands signed to Sub Pop and earliest all-female groups in the grunge explosion. Finch even dated Nirvana drummer Dave Grohl for a time.
Their 1992 album Bricks Are Heavy is considered one of the era's most significant, featuring L7's biggest crossover hit Pretend We're Dead, a searing political commentary on the marginalisation of women in society inserted into a hooky anthem.
Fiercely rejecting traditional beauty standards and fearlessly advocating for women's rights, L7 co-founded Rock for Choice in 1991, a concert series raising funds and awareness for reproductive rights.
Four women playing loud, aggressive tunes confronting sexism and political disillusion was considered a feminist statement in and of itself. But L7 did not actively try to be a feminist band.
"We don't write in any contrived way," Sparks told Double J in 2019. "We write from very personal experiences and they just morph into something else. "We're not writing feminist lyrics. We're writing L7 lyrics and I think they speak to everybody."
In 1996, two years after their fourth album Hungry for Stink, Finch left the band and played in other groups, namely OtherStarPeople and The Shocker, and launched her own label, Little Pusher Records.
Following an acrimonious split in 2001, L7 reunited in 2014 and Finch rejoined, playing on their 2019 reunion album Scatter The Rats.
The band then toured regularly, playing headline shows and festivals throughout the US, UK and Australia where, in 2023, they performed Bricks Are Heavy in full on tour.
Legendary Roby Hitchcock release a new single/video "My Dead Astronaut" according to Hitchcock: Astronauts have always reminded me of mummified Egyptian kings and queens; sent into the blackness in their space suits like the departed royals, swaddled in bandages, were sent into the future in their pyramids. I picture the astronauts exploring the afterlife like a new world - the final frontier. It’s quite romantic really. The new album "The Confuser" is out on July 24, 2026, video has been shot by Jeremy Dylan
