viernes, abril 10, 2026

New Music: Happy New Tears

           

Sire Records release "Happy New Tears" by Morrissey. The song will be available as a digital download. On May 22, Sire Records will globally release a Deluxe 12-inch vinyl disc of Notre-Dame, from the album Make-up is a Lie. The 12-inch will include both Hello Hell and Happy New Tears available for the first time on vinyl. Also, the disc will include a previously unreleased orchestrated version of Notre-Dame, with all strings recorded in Paris. The 12-inch is pressed on colored vinyl. The Notre-Dame live shot by Dave Mushegian. Apparently the shot was taken at Lucca, in Italia, 2025. Additional photographs by Ryan Lowry.

New Music: Raindrops

           

Rick Astley shares the new single "Raindrops" on time when it comes as his huge UK and Ireland headline arena tour gets underway in Glasgow tonight. Good vibes all the time to describe Rick's joyous, hit-packed live show and that feeling pulsates throughout "Raindrops". It is punchy, anthemic pop-rock with an exhilaratingly soulful hook that makes a passionate plea to be given another chance. In the process, it also encourages us to keep the faith that good times will soon follow bad. The track was written solely by Rick Astley. It was produced by his long-term friend, the two-time Grammy. Rick says about the single: “‘Raindrops’ is about letting the person you love the most down. They’ve seen your worst and you want to know is this the end, you can feel the ‘Raindrops’ falling and know the pain you’ve caused but you’re asking for one more chance. Let the healing begin and let’s try again.

jueves, abril 09, 2026

New Music: Going Shopping

           
After teasing the release of their long-overdue seventh record Reality Awaits earlier this week, The Strokes have shared the album's first single, "Going Shopping". Musically, it's pretty much what you would expect from The Strokes, with catchy hooks and playful percussion. The main point of difference is the use of auto-tune, with Julian Casablancas’ familiar twang featuring added robot distortion. Reality Awaits is The Strokes’ first long player since 2020’s The New Abnormal. Rick Rubin was tapped to produce, with the album dropping Friday 26 June via Cult Records/RCA Records.

 


miércoles, abril 08, 2026

News: The Strokes Announces New Album

A new Strokes album draws near. The band has shared a retro teaser video featuring a 1980s Nissan 300ZX and the tagline "In the Flesh, it's Even Sexier," which confirms that their seventh studio album is called Reality Awaits. It will be out June 26.
 
Reality Awaits will mark the first Strokes LP since 2020's The New Abnormal. That record earned Julian Casablancas & co. their first Grammy. In 2024, Casablancas' band the Voidz released the album Like All Before You. The Strokes are performing at Coachella this weekend. They’re also headlining Bonnaroo and Outside Lands in the summer.
 
Reality Awaits Track List:
 
1. Psycho Shit
2. Dine N’Dash
3. Lonely in the Future
4. Falling out of Love
5. Going to Babble On
6. Going Shopping
7. Liar’s Remorse
8. The Fruits of Conquest
9. Pros and Cons

sábado, abril 04, 2026

New Music: Cult Of Celebrity

            

Lambrini Girls; The British punks call out hypocritical elites on their first new music since Who Let the Dogs Out, the single "Cult Of Celebrity" sees Phoebe Lunny and Selin Macieira tear into the dark hypocrisy of the wealthy elite, particularly following the headlines of recent years. The new song comes with a devilish music video directed by Harv Frost. Lambrini Girls said when unveiling the track. “However, due to recent events come to light – it turns out that the elite are very much actually the devil incarnate, baby eating, pedos. What a fucking surprise! They had no souls to sell in the first place.”

 

miércoles, abril 01, 2026

Rocktrospectiva: The Underrated "From Luxury To Heartache" Turns 40

Released on 1 April 1986 "From Luxury To Heartache" was the 4th., studio album by the British pop group Culture Club. It was the last studio album released by Culture Club until 1999's Don't Mind If I Do. The album spawned three singles "Move Away", "God Thank You Woman" & "Gusto Blusto". It was an album that was intended to restore Culture Club reputation as a chart force to be reckoned with, but instead of that, the album accelerate their demise from music. 

From Luxury to Heartache was produced by veteran pop and R&B producer Arif Mardin, who replaced Steve Levine, the producer of Culture Club's previous three albums, in a bid to revitalise the band's sound. Due to lead singer Boy George's growing addiction to drugs, recordings dragged on for so long that Mardin had to disband the sessions and leave it up to engineer Lew Hahn to record the final vocals. The final credit on the album gave production credit to both Mardin and Hahn on all tracks. Songs like "Gusto Blusto" and "Reasons" took days for the addicted singer to finish.

Following the release of the album, rumours of George's heroin addiction began to circulate in the press and in British and US tabloids, and by the summer of 1986, he announced that he was indeed addicted to drugs. In July, he was arrested for possession of cannabis, several days later, keyboardist Michael Rudetsky, who played on the album and had co-written "Sexuality" with George, was found dead from a heroin overdose in George's home.

The band come from what critics called a disaster with Waking Up With The House On Fire, the Culture Club album that had failed to scale the giddy heights of its two predecessors. So, t was clear that the band who'd defined the early 80s but had started to seriously flag by its mid-way point needed to mix things up for studio effort number four. 

In this case, From Luxury To Heartache proved to be the final nail in the coffin of their golden years.  After all, its 10 tracks were recorded amidst seemingly insurmountable tensions. Not only had the on/off Boy George and Jon Moss just gone through their messiest split but the former had suddenly gone from a virtual teetotaller to a full-blown heroin addict within a matter of months. With Boy George wrapped up within the grips of his addiction, studio sessions reportedly also became delayed and interrupted so frequently.

Considering this difficult inception, and unlike other albums from their heyday, this never received the remastering treatment, while lead single Move Away is its only track to have regularly featured in the band's reunion setlists, which it's a pity cause "God Thank You Woman" it's a fine track/single too as well.

The multiple Grammy award-winning producer Mardin had also just worked his magic on another British pop act’s masterpiece, Scritti Politti’s Cupid & Psyche 85. He adopted a similarly maximalist approach here, filling almost every second with his bank of synths and drum machine beats, perhaps a little but overproduced, even the mighty tones of Jocelyn Brown – joining ever-present Helen Terry on backing vocals – struggle to make themselves heard. Arguably, Culture Club have never sounded more vibrant than on the slap-bass funk of Gusto Blusto, one of many kiss-offs no doubt aimed at the drummer in the room, 

Perhaps, the biggest misstep about From Luxury To Heartache wasn't the decision to take a break from regular producer Steve Levine or its failure to embrace the music emerging from the New York club circuit, but its choice of singles. Move Away might have given the Club their final UK Top 10 hit. Second single God Thank You Woman peaked at No. 31 was even more pedestrian, combining faux-gospel pop with the kind of corny sentiments. It’s quite possibly the group's weakest single for several critics, but it works for me, at least after heard it being played on the A-Team episode which was a plus to me, ironically and despite of this, the record development in the US was even worse. "Gusto Blusto was a failed in the charts, and the final single "Heaven's Children" despite it was scheduled for released was cancelled. 

Despite the album was an interesting reinvention for the band despite it didn't changed anyhting, within a year the band broke up and Boy George embarked on a solo career. George’s drug habits only became even more serious and his relationships with Mikey Craig, Roy Hay and Moss even sourer.
 
From Luxury To Heartache Track List: 
 
1. Move Away
2. I Pray
3. Work On Me Baby
4. Gusto Blusto
5. Heaven's Children
6. God Thank You Woman
7. Reasons
8. too Bad
9. Come Clean 
10. Sexuality

martes, marzo 31, 2026

Rocktrospectiva: The Underrated "Villains" Turns 30

Released on 26 March 1996 "Villains" was the 3rd., and first major label release by US alternative rock  band the Verve Pipe. The album contained the band's first hit single, "Photograph", which peaked in the top 10 on the Billboard Modern Rock Tracks. A year after the release of the album, a reformatted version of "The Freshmen" peaked at number 1 on the Modern Rock Tracks chart. The single was also the band's sole appearance in the top 40 of the Billboard Hot 100, where it peaked at number 5. The success of the song helped this album go Platinum.Other singles taken from the album were "Cup Of Tea" & "Villains". The album remains the Verve Pipe's best-selling album. 

The Verve Pipe made their major-label debut under the direction of producer Jerry Harrison with Villains, recasting themselves in the inauspicious mold of a post-grunge act. On an initial listen, the album does little to distinguish itself from the masses, though patient revisiting reveals a band of more depth, with Brian Vander Ark's songwriting improving vastly over previous albums and more subtle aspects, like the tasteful organic keyboard arrangements, actually adding texture and dimension to the sound. The band seemed to acknowledge the misstep by re-recording "The Freshmen" for single release and subsequent pressings, which ultimately earned them their first national hit. With a raw anger in the vocals and melancholy instrumentation, this  easy album was perfect to relax to or sulk in a depressive state. The interesting  song "Villains" was a comment on the negativity and glorification of criminals on the news which represents the album as a whole, covering dark and depressing themes. In particular many songs on the album were heartbreaking and somber. "The Freshmen" one of the most remarkable songs ever written served as a climax of heartbreak, and the closer "Veneer" which was a sort of fading away and slow death, a fanfare with combined voices, everything fades away as the end comes near.

Considered it a very underrated album and one of the most ideal late 90s post-grunge/alternative rock records ever emerged. Unfortunately the band didn't get enough recognition but at least dropped their mark in the alternative music scene post grunge of the end of the 90s
 
Villains Track List:  
 
1. Barely (If At All)
2. Drive You Mild
3. Villains
4. Reverend Girl
5. Cup Of Tea
6. Myself
7. The Freshmen
8. Photograph
9. Ominous Man
10. Real
11. Penny Is Poison
12. Cattle
13. Veneer 

Rocktrospectiva: The Mature And Edgy "Candy Apple Grey" Turns 40

 
Released on 17 March 1986 "Candy Apple Grey" was the 5th., studio album by the US indie rock band Hüsker Dü, released through Warner Bros. Records. It was the band's first major label release, though Warner Bros. had lobbied to release Flip Your Wig until the band decided to let SST Records have it. The album spawned two singles "Don't Want To Know If You Are Lonely" & "Sorry Somehow". 

Candy Apple Grey also marked the completion of the band's transition from hardcore punk to a more well-rounded sonic style which would later come to be known as alternative rock. As usual, Bob Mould and Grant Hart individually wrote tracks on the album. While the band's earlier, more frenetic style is still evident, Another interesting featured was that the band move into a  more introverted, toned-down material, including a relatively large amount of acoustic guitar, although the production was more full-bodied than Spot's razor-thin work. 

Much of Candy Apple Grey chargeed along on the same frenzied beat that propelled New Day Rising and Flip Your Wig, and both Bob Mould and Grant Hart  were in fine form, spinning out fine punk-pop with "Sorry Somehow" and "Don't Want to Know If You Are Lonely." However, the sound was beginning to seem a bit tired, which is what maked Mould's two acoustic numbers, "Too Far Down" and "Hardly Getting Over It," so welcome. The opening track “Crystal” was a mind boggling scream fest by Mould that is one of the more challenging songs the band ever did. However, a lot of the album was indeed more accessible than the Husker Du of old, but it’s a natural progression rather than a forced one. "Eifel Tower High" was equally as successful, and continued Mould’s unique songwriting structure. 

The singles released from this album were "Don't Want to Know If You Are Lonely" and "Sorry Somehow", both written and sung by Hart. The latter was accompanied by a promotional video which earned airtime on MTV. Indeed "Candy Apple Grey" was the first Hüsker Dü album to chart on the Billboard Top 200, but despite receiving exposure on radio as well as MTV, it peaked at No. 140. 
 
Candy Apple Grey Track List:  
 
1. Crystal
2. Don't Want To Know If You Are Lonely
3. I Don't Know For Sure
4. Sorry Somehow
5. Too Far Down
6. Hardly Getting Over It
7. Dead Set On Destruction
8. Eiffel Tower High
9. No Promise Have I Made
10. All This I've Done For You 

New Music: Sliced By A Fingernail

           

Dry Cleaning have released a new single, "Sliced By a Fingernail." The song comes with an unsettling visualizer by Bullyache, where a dancer takes frontperson Florence Shaw's lyrics quite literally—"Do a headspin / When it's a grubby round ball, grubby round ball"—by... spinning their head in circles on top of a basement washing machine?. The track was inspired by illustrator Jooyoung Kim's Welcome to My Life, a humorous picture book about a dog with a long body. "A lot of attention makes them feel sliced up. So they fantasize about being hidden inside a huge flower bud and about being anonymous in a crowd at night,"nt. 

New Music: Wired

            

Basement have been making waves over the past few years. They have toured consistently with fantastic bands on both headline tours and support tours for behemoths like Turnstile, and also headlined the coveted Outbreak festival in 2024. Now Basement have returned with two singles but we are focused on this "Wired" contain not only the essence of their songwriting, snappy and immediate riffs with a foreboding sense of urgency, only amplified by the relentless hardcore adjacent drums that are expertly coupled with the forlorn and scathing lyricism to create a perfect dichotomy of sound, but a distinct evolution in the mixing and general sound. Both of these tracks sound inherently alive, both with individual identities carried by the heartbeat of the group’s creativity. "Wired" is an expertly dialled-in track that hits top speed before the light has changed. Its shrill and speedy chord progression kicks us into overdrive immediately, keeping the intensity sky high as the distinct and biting vocals begin to viciously serenade the rest of the band as they carry through the verses with haste and break into an explosive pre-chorus, rife with lead lines and vicious blasts of the snare drum. This is basement at its best, and if this is the tempo that they continue to carry forward at, this will no doubt be a huge album for the Ipswich five-piece, the video was directed by Ashley Rommelrath