Rock 'n' Roll Times
miércoles, octubre 28, 2026
New Music: Where Will You Go?
martes, octubre 27, 2026
Rocktrospectiva: The Mixed "Dreamtime" Turns 40
The single "Always the Sun" peaked at No. 30 in the UK Singles Chart. Dreamtime itself reached No. 16 in the UK Albums Chart, the lowest charting studio album during Hugh Cornwell's recording tenure with the band (1977–90).
The album was produced by Mike Kemp and the band itself. It is often viewed as an inconsistent record, though it contains enough pleasant moments to make it an enjoyable listen. In a sense, it functions as a mini concept album: Cornwell’s vision was to explore an ancient culture—specifically, the Aboriginal concept of the "Dreamtime," the idea that life was merely a dream before existence itself began.
Furthermore, this period saw Cornwell’s transformation from a rough-edged, unpleasant character into a sensitive gentleman in every sense of the word—a shift that left some long-time fans feeling uncertain. Nevertheless, the album yielded some strong tracks, such as "Always the Sun"—a polished, high-quality song that arguably deserved greater chart success. Another overlooked gem was "You'll Always Reap What You Sow," where country-inflected guitar work opened up new sonic horizons for the band. "Dreamtime" was another excellent track, distinguished by the inclusion of a xylophone and pleasing backing vocals.
Other tracks on the album, such as "Was It You?", touched upon paranoia—placing the blame for everything on politicians—with percussion that lends the song an air of uncertainty and loss. "Ghost Train" picks up the pace, supporting surreal lyrics about ghosts reenacting life—a concept somewhat related to certain Indigenous beliefs. Then there was the single "Nice In Nice," a distinctly pop-oriented track inspired by the band’s arrest by French police for inciting disorder. "Big In America"—another single who had a small rotation on MTV—dealed with the idea of "making it big" in the world’s wealthiest and most powerful nation. "Shakin' Like A Leaf" featured a powerful vocal performance and a thick bassline, though it ultimately failed to perform well on the charts. "Mayan Skies" a song that explored the Mayan culture, evoking vivid colors and a strong psychedelic feel, with Dave Greenfield’s keyboards providing the perfect finishing touch. Finally, "Too Precious" was a long, confusing track; despite its musical richness, the melodies feel odd, making it one of the album’s weaker moments.
Critics were mixed despite the album was a solid effort from The Stranglers—they brought a greater sense of diversity to a scene still deeply entrenched in the punk rock of the late 70s. While it may not be their strongest release, it remains a worthy addition to any collection of the band’s work. Some reviews said that the Stranglers are "a prime example of a band that has streamlined their sound and still retained much of their bite as well as their signature. Others in contrary felt dissapointed about the record despite some good songs the rest was forgettable.
Rocktrospectiva: XTC's Finest Masterpiece "Skylarking" Turns 40
domingo, octubre 25, 2026
The Reissue: Reveal 25th., Anniversary
Despite both singles offering demos, alternate versions of album tracks, live cuts and non-album B-sides (2JN, Yellow River, 165 Hillcrest) none of these are included on any format of the anniversary reissue, with bonus audio content reserved solely for The Black Sessions Revealed, a 2001 concert recorded for Radio France.
The formats are 2CD+blu-ray and 2LP vinyl of The Black Sessions Revealed. The album is also available on vinyl although availability seems limited (at least for now). The official R.E.M. store also has exclusive coloured vinyl versions of both. There is no word on remastering, which suggests the album hasn’t been remastered.
The 2CD+blu-ray edition features the album on CD 1, The Black Sessions Revealed on CD 2 and a blu-ray which includes the album in 5.1 Surround and hi-res stereo. Presumably these are the same mixes that were put out 21 years ago on the CD+DVD-A reissue.
Ignoring non-album material from singles already marks this reissue out as imperfect, but not bothering to embrace modern immersive audio and just trotting out a 21-year old 5.1 mix (admittedly, a good mix) does not cut the mustard. It’s not the end of the world as we know it, but it’s disappointing.
Reveal will be released on 20 November 2026 via Concord.
Reveal 25th., Anniversary 2CD+Blu-Ray Track List:
sábado, octubre 24, 2026
Rocktrospectiva: Stryper's Masterpiece ""To Hell With The Devil" Turns 40
viernes, octubre 23, 2026
Rocktrospectiva: The Mellow And Charming "Curiosity" Turns 40
Originally released in August 1986 although some specific US/International editions were rolled out around September 1986, Regina Richardson solo debut studio album "Curiosity" just turned 40, the album is considered Regina's most succesful studio album in her career so far, spawning the singles "Baby Love", "Say Goodbye", "Head On" & "Beat Of Love."
Oftenly and unfairly compared to Madonna due startling vocal similarity on her debut solo LP resonated through the industry upon its release and perhaps this became the overriding factor in its short-lived popularity. Her first single, "Baby Love," was the main culprit. Co-written by Regina with producer Stephen Bray and Mary Kessler, "Baby Love" was originally intended for Madonna, who did cut a demo of the song, but scrapped it. One can only speculate on the subsequent circumstances; but Bray, who co-wrote much of Madonna's wildly successful Like a Virgin, ended up producing the track for Regina, and it became a Top Ten pop hit. While Regina here undeniably employs the chirpy tone and coquettish nuances Madonna had become known for, a few listens to Curiosity demonstrate who the better vocalist of the two is.
Despite the comparison and popular beliefs back then, Regina was not a start-up. She was actually on record before Madonna, fronting the band Regina Richards & Red Hot on an obscure A&M album in 1981; the next year releasing the independent solo single, "Deep Dreaming." While Curiosity is much different than the "Head On" pop/rock sound she established with her earlier material, her songwriting and vocal abilities are perfectly intact here.
Unfortunately, the strong attempt to write and sing Madonna-esque songs detracted back then even when not all of the cuts of this record had this syndrome, proving the singer was more substantial in both areas than the so called Madonna. The standouts were the riveting R&B/rock fusion "Sentimental Love"; especially due to its playful lyrics; and the light, Motown-esque soul groove of "Just Like You." On these cuts, Regina sounded spirited and the arrangements were vibrant. Additionally, "Love Time" and "Bring Me All Your Love" did a good job of meshing pop/dance radio trends with jazzy R&B shades. The other single releases "Beat of Love," "Head On," and "Say Goodbye" unfortunately for her, only continued the soundalike Madonna's concept, and Regina became a one-hit act.
Rocktrospectiva: The Elegant Live Album "Concrete" Turns 20
The performance recorded for the album took place at the Mermaid Theatre in London on 8 May 2006, as an exclusive for broadcast on BBC Radio 2's Sold on Song programme on 27 May. Attendance, totalling 600, was by invitation or through competitions held by Radio 2 and the band's official website. The event was hosted by the BBC's Stuart Maconie.
The 27 May Radio 2 broadcast included an interview conducted by Maconie, but excluded four songs from the running order ("You Only Tell Me You Love Me When You're Drunk", "After All", "Numb", and "Dreaming of the Queen"). The full concert was later broadcast on BBC 6 Music on 28 August.
The concert was a launch event for the Pet Shop Boys' new studio album, Fundamental, released on 22 May 2006. Trevor Horn, the producer of Fundamental, was the music director for the concert and also produced Concrete.
Due to the presence of the orchestra, the setlist was composed to consist of songs originally recorded with an orchestra. Consequently, in addition to an extensive selection of songs from Fundamental, various non-studio album tracks were chosen, including the arrangement of "Rent" from the Liza Minnelli album Results, originally arranged by Angelo Badalamenti; "After All", the portion of the band's Battleship Potemkin soundtrack that accompanies the Odessa Steps sequence from the film (performed with the scene projected on a screen in the background); "Friendly Fire", from the Closer to Heaven musical; and "Nothing Has Been Proved", the theme song from Scandal, also arranged by Badalamenti. "West End Girls" and "It's a Sin" were the only exceptions to the rule, and were reworked to integrate the orchestra.
Neil Tennant introduced the songs with anecdotes, which appear on the album. Special guests sang lead vocals on three of the songs. Rufus Wainwright performed "Casanova in Hell" from Fundamental. Frances Barber, who had played the lead role in Closer to Heaven, sang "Friendly Fire". On "Jealousy", the earliest song written by Pet Shop Boys, Tennant recited the opening quote from Shakespeare's Othello, and Robbie Williams sang the rest.
Opera singer Sally Bradshaw reprised her vocals from the 1988 hit, "Left to My Own Devices". Other guest musicians included Anne Dudley on piano, Steve Lipson and Phil Palmer on guitar, and Lol Creme and Sylvia Mason-James on backing vocals.
Pet Shop Boys agreed to release a live album to pay for the concert. The album was initially announced under the name Concert, but it was changed to Concrete, which was the duo's original preferred title. It debuted at its peak position of 61 on the UK Albums Chart. In the United States, Concrete was released as a digital download by Astralwerks on 17 May 2011.
jueves, octubre 22, 2026
In Memoriam: Legendary And Iconic Veteran Actor "Tom Skerritt" Dies Aged 93
Skerritt died Wednesday of natural causes, his family said in a statement. While the world knew Tom through his remarkable acting career, we knew him for his humor, curiosity, wisdom, generosity and the love he brought into our lives. He cared deeply about imagination, creativity, storytelling, service, veterans, the natural world and helping others find and share their own voices,” the statement said.
Skerritt was twice nominated for an Emmy — both for "Picket Fences," winning outstanding lead actor in a drama series in 1993. Other career highlights include playing the patient husband of Shirley MacLaine in "Turning Point," Sally Field's husband in "Steel Magnolias" and a scheming opportunist who stands in the way of Jodie Foster's attempt to communicate with extraterrestrial life in "Contact."
Skerritt born in Detroit in a middle-class family, his father a small businessman and his mother a housewife. He had two brothers; a sister died as a child. He spent four years in the Air Force, attended Wayne State University and then switched to the University of California, Los Angeles, to study filmmaking, inspired by a viewing of "Citizen Kane."
His performance in a Los Angeles theater production of "The Rainmaker" led to his first film role — a supporting role as a sergeant in the 1962 scrappy, $250,000 independent Korean War film "War Hunt." The movie marked the debuts of Skerritt, Robert Redford, Sydney Pollack and Francis Ford Coppola.
Indeed, Redford and Skerritt were looking for the same lead role, with Redford winning out. Years later, Redford, now directing, paid Skerritt back with compound interest in "A River Runs Through It," handing him the plum role of the stern Rev. John Maclean, a minister whose governing passions are his faith and fly-fishing. The New York Times was impressed by his halting, thoughtful manner.
Despite "War Hunt," success, Skerritt still struggled for screen time, landing a small role in "M.A.S.H." and "Thieves Like Us" for Robert Altman, and doing a bit part as a motorcycle cop in "Harold and Maude" for Hal Ashby. Things changed with "The Turning Point," which earned him a National Board of Review win.
Then came "Alien," with Skerritt playing the beleaguered and doomed captain of the ship Nostromo, crouched in a dark, claustrophobic duct, hunting the alien with a sputtering flamethrower. He told the Seattle Times that what appealed to him in the script was that the lead actor disappeared and the woman becomes the hero. I really like that idea. Tings shifted again after that, including a memorable role as Tom Cruise's instructor in the landmark "Top Gun" following the quote: "Gentlemen, you are the top 1% of all Naval aviators. The elite. The best of the best. We'll make you better," he told the students.
Perhaps Skerritt's most successful role came as the kindly sheriff in "Picket Fences," a comedy created by David E. Kelley that won 14 Emmy Awards — one for Skerritt — and a Golden Globe over its four-year run from 1992 to 1996. Skerritt co-starred opposite Kathy Baker, playing his doctor wife in the community of Rome, Wisconsin, a place with bizarre happenings, like having a robber leaving a trail of frogs or the pope becoming the primary witness to a murder.
Also on the small screen, Skerritt played William Walker on ABC's "Brothers and Sisters," Jimmy Ford on TNT's "Leverage" and he had the recurring character Evan Drake on "Cheers." He starred in the Hallmark movie "What the Deaf Man Heard," co-starring Matthew Modine, Judith Ivey and James Earl Jones.
He is survived by his third wife, Julie Tokashiki, and five children
Rocktrospectiva: The Underrated "We Love Life" Turns 25
Released on 22 October 2001, "We Love Life"—was the seventh and final album by the English band Pulp—officially hit the market. The record reached No. 6 in the United Kingdom, remaining there for three weeks—a result considered a success, especially given that the album was recorded as a form of catharsis following the tumultuous sessions for its predecessor, "This Is Hardcore." The album spawned the singles "Sunrise", "The Trees", & "Bad Cover Version."
The album was produced by Scott Walker, who stepped in to replace Chris Thomas. The thematic and sonic shift of the record was met with a more positive critical reception; it moved away from the disillusionment that defined the band's previous work toward a much more organic sound, placing a greater emphasis on the natural world.
This direction was driven by Jarvis Cocker, who had begun to show an interest in this theme—viewing it as something inherently "dangerous"—while also believing it was appropriate to return to simpler, more fundamental elements, such as the natural environment. Cocker was quick to clarify, however, that this was by no means a "hippie" or "flower power" inspired record. It is worth noting that the decision to stop working with Thomas significantly shaped the sound of this record.
Thomas brought a more rigid approach that clashed with the band’s own vision, which demoralized the members—including Candida Doyle, who considered leaving the group if the recordings for the new album were shelved once again. Ultimately, she had a change of heart and stayed on. Even before Scott Walker came into the picture, the primary goal was simply to finish the album; the band held a deep admiration for Walker, whom they had first met at the 2000 Meltdown Festival.
The album was initially going to be titled "Pulp Love Life"—a nice name, though it was ultimately rejected for fear that it might confuse the audience. They then considered simply calling it "Pulp," but the September 11 attacks occurred, which influenced many aspects of the project. Consequently, they chose the title "We Love Life" as a way to share the universal sentiment of peace and love that was so desired at the time.
The album cover, featured the band's name in capital letters, was designed by Peter Saville. Upon its release, three singles were chosen: "Sunrise/The Trees" and "Bad Cover Version." The music video for the latter served as a parody of Band Aid and even featured an appearance by Kurt Cobain as a tribute. Thanks to Cocker’s beautiful, less intensely personal lyrics.
The album was well-received by both critics and audiences. It felt more moving and sincere, solidifying the band’s sound in a way that the contentious "This Is Hardcore" had not; it was even compared to their celebrated record "Different Class." Ultimately, this would be the final official studio album from this iconic band—a cornerstone of 1990s Britpop—and a few years later, Jarvis Cocker would go on to release a solo album.
We Love Life Track List:
Rocktrospectiva: The Finest Power Pop Album "Girlfriend" Turns 35
Released on 22 October 22, 1991 "Girlfriend," was the third studio album by US artist Matthew Sweet, it became his most successful release, earning widespread critical acclaim. The album spawned the singles "Divine Intervention", "Girlfriend" & "I've Been Waiting."
The record was crafted in 1990 in the wake of his divorce; the experience served as a form of catharsis, helping him process the pain of losing his wife. Indeed, it was this very depression that fueled the creation of what would become one of the crowning achievements of his career. The album featured contributions from Richard Lloyd (formerly of the band Television) and Robert Quine. Their involvement lent the record a pop sensibility while maintaining a strong emphasis on noisy, aggressive guitars—a sound that leaned into the realm of power pop, reminiscent of early Neil Young or Television.
This direction was championed by producer Fred Maher, who opted for a stripped-back, sparse aesthetic—eschewing heavy reverb—to evoke the production style of George Martin’s work with The Beatles. A great creative energy permeated the sessions, allowing the musicians' performances to flow with unprecedented intensity; it unleashed a raw, inner fire that had been desperate for an outlet. By the end, the participants were left physically and emotionally exhausted.
Furthermore, the use of vintage instruments and amplifiers was essential in achieving the album's distinct sonic atmosphere. Three singles were released from the album: "Divine Intervention," "Girlfriend," and "I've Been Waiting." The music video for the title track received significant airplay on MTV and Night Tracks and the video featured footage of the band interspersed with clips from the Japanese anime film "Space Adventure Cobra: The Movie", with a particular focus on the female character Jane Royal. For the single "I've Been Waiting," the video incorporated clips from "Urusei Yatsura," especifically featuring the character Lum Invader.
Other notable tracks on the album included "Evangeline" and "Your Sweet Voice," both of which were produced with a vinyl-like, phonographic sound to evoke the feel of a vintage 1960s record. These songs also had specific inspirations: "Evangeline" was dedicated to the comic book character of the same name—told from the perspective of the character Johnny Six—while "Winona" was dedicated to the actress Winona Ryder.
The album became a commercial successful and earned critical acclaim, with reviewers hailing it as the finest power pop of the moment. It reached No. 100 on the Billboard 200, while its singles secured prominent positions on the Modern Rock Tracks and Mainstream Rock charts. Also noteworthy is the excellent, elegant cover art, which features an image of actress Tuesday Weld from the late 1950s; the album was originally going to be titled "Nothing Lasts," but it was renamed "Girlfriend" following an objection from Weld herself.








