lunes, enero 19, 2026

New Music: Where's My Phone

           

The lead single from Nothing’s About to Happen to Me arrives with a short horror video for "Where's My Phone?". Mitski's announced her eighth album, Nothing’s About to Happen to Me, on a note of anxious claustrophobia. Its insistent guitar chug harks back to the indie rock of Bury Me at Makeout Creek, but the song doesn't stay there for long, melting into a foreboding orchestral swell and chorus of wordless voices. The video for "Where’s My Phone?" cranks up the tone of paranoia and psychic unease. Inspired by Shirley Jackson's novel We Have Always Lived in the Castle, it shows our protagonist prowling around a gothic house, her mental state slowly unraveling until she entirely loses her cool on an outsider who dares to breach her sanctuary. 

domingo, enero 18, 2026

New Music: 2005

           

The Academy Is…, are back has recorded their first new album in eighteen years, titled "Almost There," and will be putting it out this March. In the meantime, here is the first single from the album, "2005," which is a paean both to that year and still being around more than 20 years later. The video has been edited and directed by Tyler Common. 

viernes, enero 16, 2026

New Music: Not Today

           

Legendary Kim Gordon announces new album "Play Me" and shares its first single "Not Today", a more focused and confident album, the third in her solo career, also accompanied of a fantastic video Directed by Kate & Laura Mulleavy. Gordon's third album will be out on March 13. 

jueves, enero 15, 2026

News: Kim Gordon Announces New Album

Legendary Kim Gordon has announced details of her third solo album, "Play Me", according to the former Sonic Youth icon, her third studio album will be out on March 13 via Matador. Produced by Justin Raisen. 

About the album, Kim explained: "We wanted the songs to be short. We wanted to do it really fast. It's more focused, and maybe more confident. I always kind of work off of rhythms, and I knew I wanted it to be even more beat-oriented than the last one. Justin really gets my voice and my lyrics and he understands how I work – that came forth even more on this record."

Kim is also releasing a new single "Not Today" and said about: I started singing in a way I hadn't sung in a long time. This other voice came out." Below tracklisting. 

Play Me Tracklist: 

1. Play Me
2. Girl With A Look
3. No Hands
4. Black Out
5. Dirty Tech
6. Not Today
7. Busy Bee
8. Square Jaw
9. Subcon
10. Post Empire
11. Nail Biter
12. ByeBye25! 

miércoles, enero 14, 2026

New Music: Slumber Party

           

Brigitte Calls Me Baby shares their new single "Slumber Party" a beautiful indie rock banger with lead singer Wes Leavins' signature, soon-worthy vocals. The song is the lead single off the band's forthcoming album Irreversible, due arrive on March 13 via ATO Records. Another song hitting for nostalgia of the good days of yore, with steady drums and jangly guitar as a reminder of their indie influences, The track explores the human psyche, Leavins shared that he "wrote that song thinking about the type of people who isolate and ruminate, to the point where it becomes a chore to leave the home.". The video direction credits belongs to Alec Basse.

martes, enero 13, 2026

Rocktrospectiva: The Slicker And Succesful "Different Light" Turns 40

Released on 13 January 1986, "Different Light" was the 2nd., studio album by the US pop rock band The Bangles. The band recorded the album in 1985 with producer David Kahne. Its Top 40 sound was a departure from the Bangles' earlier 1960s-style rock and roll sound. It was the band most successful album, reaching number two on the Billboard 200 and producing five charting singles, including the Billboard Hot 100 top two hits "Manic Monday" and "Walk Like an Egyptian", other singles released were "If She Knew What She Wants", "Walking Down Your Street" & "Following". 

The Bangles transformed from a critically acclaimed but little-known group to one of the biggest bands on the planet. It took place on the album Different Light, which took the quartet to the stratospherehe of pop music, but before that, at least originally, the band featured more of a raw, rocking sound. Their 1984 debut album All Over The Place contained nine originals out of 11 songs on the record, including five songs that were written solely by bassist Vicki Peterson. Peterson shared vocals pretty evenly with Susannah Hoffs. Sound-wise, they hearkened back to 60s garage rock and power pop on the album.

A confluence of events helped change their sound and commercial prospects. First, Prince took a shine to them, and he offered them a song called "Manic Monday" that was pretty much ready to heat and serve. That song featured a softer, more pop-friendly tone than the first record. In addition to that, the band's writers just didn't have as many original songs in the hopper that seemed single-worthy. Producer David Kahne saw the opportunity to take advantage of the anticipated burst of popularity. He commissioned some other songs that seemed perfect for mid-80s pop radio. Kahne also took the playing out of the band's hands on these tracks, heavily relying on session instrumentalists to fill out the sound

The Bangles also struck gold on MTV with a series of increasingly popular videos.  It's understandable that The Bangles might not have loved the cover songs being chosen as the key singles. But they deserve credit for putting their stamp on them in undeniable fashion. Susannah Hoffs, who became the unofficial voice of the group because of her prominence on the big hits, deserved a lot of credit for that. Indeed this was the beginning of the end for the band, cause the media's focus on her would cause problems for the band down the line.

Hoffs injected sultriness into the narrator's harried tale in "Manic Monday". She captures the pathos in Jules Shear's lovely character sketch "If She Knew What She Wants". And she runs wild with the final verse of the novelty "Walk Like An Egyptian". But Hoffs' leads wouldn't have proven quite so effective without the gorgeous harmony vocals provided by the other members of the band Vicki Peterson, her drummer sister Debbi Peterson, and bassist Michael Steele. The album tracks might not pop like the singles, but they’ve got heart and style. Steele's solo lead on the downcast "Following" stands out from that pack. Their hearts might have belonged to a different musical era. But Different Light proved that The Bangles were right on time.

The Californian quartet's spare '60s-influenced pop/rock  got a facelift from producer Kahne, who shepherded the band's shift toward a more emphatic pop sensibility by focusing on a lusher, more layered vocal sound. The album less hook-happy song structure and more modernized production than the Bangles' 1984 debut All Over the Place,  covering their roots without burying them ten feet under.  Different Light was perceived as a slicker, more commercial move for the Bangles at the time of its release, it sounded surprisingly fresh in hindsight, added that the band's "'60s-style pop melodies and classic rock references ... were deftly matched with the then-current new wave and rock rhythms of the early '80s.
 
Different Light Track List: 
 
1. Manic Monday
2. In A Different Light
3. Walking Down Your Street
4. Walk Like An Egyptian
5. Standing In The Hallway
6. Return Post
7. If She Knew What She Wants 
8. Let It Go
9. September Gurls
10. Angels Don't Fall In Love
11. Following
12. Not Like You

domingo, enero 11, 2026

New Music: Blue Monday

           

Matt Berninger releases his cover of New Order's 1983 classic "Blue Monday" to all streaming platforms after an exclusive Amazon Music run last September. The National frontman has been including the song in his live sets during his 2025 tour supporting his second solo album, "Get Sunk", and New Order has long been one of his favourite bands. Berninger's version strips away the driving electronic beats of the original, replacing them with live instrumentation that centres his distinctive baritone voice. Recorded at Knobworld in Los Angeles with the same musicians from "Get Sunk": Sean O'Brien on electric guitar and production, Garret Lang on bass, Julia Laws on synthesizers and backing vocals, and Sterling Laws on drums and percussion. Jannick Frampton assisted with recording.


Rocktrospectiva: The Satisfying "Valhalla Dancehall" Turns 15

Originally released on 10 January in the UK/Europe and 11 January 2011in the United States, "Valhalla Dancehall" was the 4th., studio album from the Brighton-based indie rock band Sea Power, then known as "British Sea Power". The album spawned three singles "Living Is So Easy", "Who's In Control" & "Georgie Ray". 
 
The album was recorded in South East England and on the Isle of Skye, and produced by British Sea Power and Graham Sutton. Regarding the album's title, the band have merely stated that "Valhalla Dancehall" is possibly "just a glorified farmhouse that sometimes runs out of oil.

Possible the greatest achievement of Brighton's British Sea Power is to have something approximating a stable, modest, and a normal career. Viewed fondly by the music press but never hyped to the heavens, making accessible music but clearly unburdened by the desire to write a hit, eccentric but never preposterous, their three previous albums proper have each scored strong reviews and incrementally higher chart positions and fourth set Valhalla Dancehall seemed profoundly unlikely to buck that trend.

Mixing the sort of luminescently sinister ballads that have stood the band in good stead throughout their career with chaotic, colourful smears of guitar rock, this was an album that neither treaded water nor reinvented the wheel. Instead, it saw the band continued their stately, unruffled progress. On tracks like "Who's in Control?", "Georgie Ray" and "Living is So Easy" the band warped the music to match the words; stormy, elastic squalls of incandescent sound that lack the hooky polish of the band's early material, yet seethe and churn with greater force. 

Valhalla Dancehall’s opening track, "Who's in Control," retained most of the previous record’s intensity and landed somewhere between the Clash and Arcade Fire. But the song, as it turns out, was something of a red herring: it’s not so much that this record was a radical change in sound from the last one, more that it's kind of stylistically all over the place. There were some tracks that wouldn't have sounded at all out of place on Rock Music, but there were also nods to the revved-up punk of their 2003 debut and more hushed balladeering than any of their previous work. 

Even when British Sea Power blowed their sound up to stadium proportions, this album did not feel forced. The way the hazy production blends softens the overdriven guitars on some of the louder tracks on Valhalla can make a lot of these songs run together, but there’s no denying that  "Georgie Bay" and "Observe the Skies" there were fine pieces of songwriting. It was the ballads, however, that truly shone here. The gorgeous "Luna" showcases Yan's airy, breathy voice, which, as it turns out, is more well-suited to the ballads than the rockers. The standout track is  "Living is So Easy," a likeable pastiche of mid-'80s Cure and mid-'90s U2.

The early part of the record succeeded largely because it doesn't stick with one sound for too long, but too many mid-tempo tracks towards the end—including the unnecessarily 11-minutes-long "Once More Now"—made the record feel longer than it is, which was a shame, because an album with this many winners shouldn't feel like a chore to listen to.

For many, the diversity in sound worked to British Sea Power's advantage, but it also left the album feeling weirdly unsatisfying. It’s not that any of this is bad—quite the opposite, actually—but this record doesn't feel as complete as their others. 

Unfortunately this was a band with big ambitions but not too much hype, which often makes them come across as unpretentious and unassuming, but what’s missing here that made their last few records great is a sense of purpose. Valhalla Dancehall was a solid album, but for so many that didn't matter.
 
Valhalla Dancehall Track List: 
 
1. Who's In Control
2. We Are Sound
3. Georgie Ray
4. Stunde Null
5. Mongk II
6. Luna
7. Baby
8. Living Is So Easy
9. Observe The Skies
10. Cleaning Out The Rooms
11. Thin Black Sail
12. Once More Now
13. Heavy Water

viernes, enero 09, 2026

New Music: Always The Same

          

Cate Le Bon teams up with St. Vincent on new single "Always The Same" The collaboration arrives following Cate Le Bon's 2025 album Michelangelo Dying and ahead of her North American tour. The release follows Le Bon's 2025 album Michelangelo Dying, and lands just days before she begins a North American tour next week. While the song was written during the same creative period as the album, Le Bon describes it as a piece that ultimately sat just outside its final shape. Speaking about the track, Le Bon explained that Always The Same needed a little more elbow room than the album would allow, describing it as a close relative to Michelangelo Dying rather than a direct extension of it. She added that the collaboration holds particular significance due to St. Vincent’s presence on the song, praising her composure and gravitas as a counterpoint to the emotional terrain Le Bon explores. The track captures two artists with a shared experimental instinct, each bringing their own perspective without overpowering the other. It marks a rare recorded collaboration between the pair and offers a glimpse into the wider creative world surrounding Michelangelo Dying. The Visualiser was filmed by H. Hawkline

New Music: Designed To Lose

           

The Twilight Sad have been a frequent opener for The Cure in recent years, and there's definitely something very Cure-ish about their brand new single "Designed to Lose", The band's upcoming album, It's the Long Goodbye, is their first in seven years, and emerges from a heavy place. Graham lost his mother to dementia during that time period, while also becoming a father and wrestling with mental health issues. Their forthcoming album comprises ten tracks, the artwork has a similar feel to the previous album around seven years ago, presumably it will be out at the end of March.