The Queen Is Dead spent 22 weeks on the UK Albums Chart, peaking at number two. It reached number 70 on the US Billboard Top Pop Albums chart. The album received widespread critical acclaim, praised for Marr's guitar work and Morrissey's witty and emotional lyricism. It has been included in multiple lists of the greatest albums of all time.
The Queen Is Dead was developed over a period of more than eighteen months, from its earliest musical sketches to its release. The album was produced by Morrissey and Marr, working predominantly with engineer Stephen Street, who had engineered the band's 1985 album Meat Is Murder. The three shared a strong bond in the studio, helped by their similar ages and interests, which created a relaxed atmosphere. At the time the band was having difficulty with its record label Rough Trade Records. However, according to Street, "this didn't get in the way of recording because the atmosphere in the studio was very, very constructive". The first song from the album to be completed, "The Boy with the Thorn in His Side", was recorded at Drone Studios in Manchester in July 1985. Marr later recalled composing the song's melody while riding a bus during the Meat Is Murder tour. "Frankly, Mr. Shankly", "I Know It's Over" and "There Is a Light That Never Goes Out" were written by Morrissey and Marr in a "marathon" writing session in the late summer of 1985 at Marr's home in Bowdon.
In August 1985, "Bigmouth Strikes Again" and "Some Girls Are Bigger Than Others" were recorded at RAK Studios in London, along with the B-sides to "The Boy with the Thorn in His Side"; "Asleep" and "Rubber Ring". Kirsty MacColl sang a backing vocal for "Bigmouth Strikes Again" but her take was deemed to be "really weird" by Marr, and was replaced with a sped-up vocal by Morrissey in the final mix, processed by Street who ran his voice through a harmoniser. The same vocal manipulation was performed for "The Queen Is Dead", and both were attributed to "Ann Coates" on the record sleeve (Ancoats is a district in Manchester, just north-east of the city centre). Morrissey liked to experiment with effects on his voice, but he rarely used backing vocals or harmonies aside from the harmoniser, though he enjoyed experimenting during sessions. "Some Girls Are Bigger Than Others" has an opening which fades in, out, and back again. This effect was devised by Street, who aimed to create a mix that sounded similar to a door closing and opening again.
During the same session, a first version of "Never Had No One Ever" was recorded. The said track, completed in August 1985, was based on an instrumental demo which Marr had recorded in December 1984. Marr described the track's atmosphere as representative of the album's overall mood and recording experience. According to Marr, "Cemetry Gates" originated during an informal writing session in his kitchen with Morrissey. Marr recalled that he was uncertain about the song and had considered discarding it, but Morrissey responded enthusiastically. Marr described the creative process as coming together "effortlessly and easy". "The Boy with the Thorn in His Side", "Bigmouth Strikes Again" and "Frankly, Mr. Shankly" were debuted live during a tour of Scotland in September and October 1985, while "The Queen Is Dead" and "There Is a Light That Never Goes Out" were played during a soundcheck.
The bulk of the album was recorded in the winter of 1985 at Jacobs Studios in Farnham, under the working title "Margaret on the Guillotine", which was later used for Morrissey's song about Margaret Thatcher from his 1988 album Viva Hate. "Frankly, Mr. Shankly" was an attempt to recreate the "vibe" of Sandie Shaw's "Puppet on a String", although "it didn't quite work out that way", according to Marr. Linda McCartney was asked to play piano on the track, but declined, and a first take featuring a trumpeter was scrapped.
The album title is taken from American writer Hubert Selby Jr.'s 1964 novel, Last Exit to Brooklyn. The cover of The Queen Is Dead features a still of French actor Alain Delon from the 1964 film The Unvanquished. Delon granted permission for the image's use, though according to Morrissey's Autobiography, the actor mentioned that his parents were dismayed by the album's title.

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