Following the disbandment of Britpop group Theaudience, Ellis-Bextor provided vocals for the song "Groovejet (If This Ain't Love)" by Italian DJ Spiller. The song was a commercial success, and Ellis-Bextor signed to Polydor. She was contacted by director Baz Luhrmann, who offered her a role in the 2001 film Moulin Rouge!, but the singer refused in order to focus on her career as a recording artist.
The success of "Groovejet" also prompted American musician Moby to notice Ellis-Bextor, and revealed interest in working with her due to her "amazing" voice, as he described it. He instructed his record company to "track" Ellis-Bextor "down" so they could start working as soon as Moby finished his tour. The two ultimately wrote five songs in New York City, which did not make the final cut of Read My Lips. Furthermore, she also recorded with Blur bassist Alex James, as well as former frontman of the New Radicals, Gregg Alexander, while Damian LeGassick was recruited for his programming and keyboard work.
The album's title was chosen due to the strong lipstick Ellis-Bextor used for the album artwork, the "Take Me Home" music video and "Read My Lips" is sung in the opening verse of the album track "The Universe Is You". The album photography was shot by Mert Alaş and Marcus Piggot.
An "eclectic" album, Read My Lips, is a collection of 1980s electronica and 1970s disco. The album opener and first single was a cover version of Cher's 1979 song "Take Me Home", described as a "disco groove". Betty Clarke from The Guardian observed that her voice in the song is reminiscent of Audrey Hepburn's Eliza Doolittle (in the film My Fair Lady). "Move This Mountain", co-written by Alex James, was a "vibrant" ballad with a trip hop-influenced sound. Following track and second single, "Murder on the Dancefloor", was a dance-pop and disco record, that utilised bass guitar and piano in its instrumental. "Sparkle" has "speeding beats and equally speeding keyboards", while "Final Move" contained "tinny beats" and "electro swirls". The latter was deemed a "subdued version" of "Murder on the Dancefloor" with "similar kaleidoscope synth". "I Believe" was described as "funky" and "live-sounding", while "Leave the Others Alone" involved "cold beats" and "big, full-throttle keyboards". "By Chance" was particularly noted for showcasing Ellis-Bextor's accent. Re-release new song "Get Over You" was a "polite" Euro disco take on "I Will Survive".

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