The Avalanches are back and now shares "Blue Shadows" the second collaboration between The Avalanches and Karen O, the solo artist and Yeah Yeah Yeahs frontwoman having featured on "Dial D For Devotion" from the band’s 2020 album We Will Always Love You. “Blue Shadows” also marks the third single from The Avalanches in 2026, the track follows "Every Single Weekend" with Jamie xx and "Together" with Nikki Nair, Jessy Lanza and Prentiss.
The Avalanches have shared their second single since launching a stealthy teaser campaign earlier this year. the Aussie trio has reunited with Jamie xx for "Every Single Weekend," as well as with video director Jonathan Zawada. His short tells the story of a hopeful model trying out for an ad for the fictional El Dorado drink that has been a motif of this current Avalanches rollout.
After the album's positive reception in Australia, the duo considered an international release – its date was held back until 2001 in the United Kingdom and North America and appeared in slightly altered forms. The delay and changes occurred so that the group could obtain permission to use the samples or use replacements. Four singles were released from the album "Electricity", "Frontier Psychiatrist", "Since I Left You", and "Radio".
The Avalanches began work on the album in 1999 under the working title Pablo's Cruise, primarily working with a Yamaha Promix 01 and Akai S2000 samplers. Group members Darren Seltmann and Robbie Chater spent hours sampling music from vinyl records to create the songs on the album: Chater has estimated that there are over 3,500 samples that were used overall although some estimate the number to be much lower, roughly 900. After sampling and arranging, the pair would swap their tapes, listen to each other's ideas, and expand on whatever they had heard. Despite working separately, both Chater and Seltmann had nearly identical studio set-ups.
Initially, Seltmann and Chater were not planning for an international release. They were not concerned with copyright restrictions and so did not keep a list of which tracks were being sampled. According to Chater they "were really unorganised and were just sampling on the fly as tracks progressed ... We had no idea the record would get such a wide-scale release so we saw no need to keep track of what we were using – we were definitely guilty of harbouring a 'No-one's going to listen to it anyway' sort of attitude."
The sources span many different styles of music, sampling artists such as Françoise Hardy, Blowfly, Sérgio Mendes, Raekwon, Wayne and Shuster, and Madonna. Later, Seltmann and Chater had a few problems when trying to clear all the samples. One sample that had to be removed was from Rodgers and Hammerstein in the intro that featured harps and girls singing. After checking clearances, the album is slightly different to its original form in that it had a whole new introduction, which apparently was really recognisable, so we had to take that off straight away". The Avalanches worked with sample-clearance expert Pat Shannahan to clear the thousands of samples in the record. The group played their songs to flatmates to get input on which tracks were worth including on the album. "Electricity" was the first song the group felt that worked; it was a last-minute addition to the album as The Avalanches felt the song "still sounds good". In February 2000, Seltmann (as Dazzler) and Chater (as Bobby C) finished production on the album under the pseudonym Bobbydazzler, and its official title was revealed as Since I Left You in March 2000.
Since I Left You was originally developed to be a concept album. Chater described its initial theme as a love story, "an international search for love from country to country. The idea of a guy following a girl around the world and always being one port behind. And that was just because we had all these records from all over the world, and we'd like to use all that stuff." The concept album idea was abandoned when the group felt they should not make their themes too obvious. The album's sound was in response to dance music at that time, that Chater felt was "about big drums, big production: think of a record like the Chemical Brothers "Block Rockin' Beats", with those amazing drums, and how huge those records sounded". The Avalanches felt their early music could not compare to that sound and desired a recording with less bass that was influenced by 1960s music such as the Beach Boys and Phil Spector.
When Since I Left You was being recorded, The Avalanches had trouble choosing songs to be released as singles, finding them not sounding as good outside the context of the album. On 13 September 1999, they issued "Electricity" as a four-track 12" vinyl single in Australia (on Modular Recordings) and as a two-track 7" vinyl single in the United Kingdom (on Rex Records). Chater felt that Modular was very patient with the group releasing the record. On 21 August 2000, "Frontier Psychiatrist" was released as the second single from the album by Modular in Australia in both a four-track and two-track version.
The initial release date for Since I Left You was going to be 11 September; however, it was delayed due to issues with sample clearance. On 27 November, the album was issued in Australia with plans to have a worldwide release in early 2001. The later release date outside Australia was due to additional sample clearances needed for international markets. To celebrate the album's release in Melbourne, the group had a boat cruise party through Port Phillip Bay. On 5 February 2001, they released the album's title track as the third single in Australia, and followed on 23 July with "Radio".
