4. Kula Shaker "Good Money" (Directors: Laurie Peters/Crispian Mills)
7. Sorry "Echoes" (Director: Asha Lorenz)
4. Kula Shaker "Good Money" (Directors: Laurie Peters/Crispian Mills)
7. Sorry "Echoes" (Director: Asha Lorenz)
1. Mike Joyce "The Drums" (New Modern)
Nick Reiner, 32, was taken into custody on Sunday night, hours after the couple was found stabbed to death in their Brentwood home, according to law enforcement sources. Nick Reiner is being held without bail, according to authorities.
"Our hearts go out to the family and friends of the Reiners," LAPD Chief Jim McDonnell said Monday.
Law enforcement sources told ABC News, Nick Reiner was not at home when his parents were found stabbed to death. Investigators believe he left at some point after the stabbings. Sources said the LAPD was able to easily and quickly find him near the University of Southern California, where he was arrested for murder.
The Reiners' daughter found her parents' bodies on Sunday, sources told ABC News.
Rob and Nick Reiner got into an argument Saturday night at a holiday party they attended, sources said.At the party, Nick was seen acting strangely, the sources added. The film-maker, 78, and his wife, 68, were pronounced dead at a house in an upmarket neighbourhood of LA on Sunday. Their son Nick has been arrested.
"It is with profound sorrow that we announce the tragic passing of Michele and Rob Reiner," the Reiner family said. "We are heartbroken by this sudden loss, and we ask for privacy during this unbelievably difficult time."Rob Reiner, 78, and Singer, 68, married in 1989 and share three children: Jake, Nick and Romy.
Reiner was known for directing classic films in a variety of genres, including When Harry Met Sally, This is Spinal Tap, Stand By Me, Misery and A Few Good Men, as well as for championing liberal causes and Democratic politics. Spinal Tap star Christopher Guest and his wife Jamie Lee Curtis said they were "numb".
Reiner, the son of comedy great Carl Reiner, started his career in the 1960s and made it big playing Meathead in groundbreaking TV sitcom All in The Family in the 1970s. The programme was a US remake of British comedy Till Death Us Do Part, and scored him two Emmy Awards.
Reiner achieved futher success with cult mockumentary This Is Spinal Tap in 1984, which he directed as well as playing on-screen director Marty DiBergi. That began a run of classic Hollywood movies directed by Reiner, including Stand By Me (1986), The Princess Bride (1987), When Harry Met Sally (1989), Misery (1990) and A Few Good Men (1992), the latter of which scored him an Academy Award nomination for best picture. He reunited with Spinal Tap for long-awaited sequel Spinal Tap II: The End Continues, which was released in September.
As an actor, he also appeared in The Wolf of Wall Street, Postcards from the Edge and Bullets Over Broadway, as well as TV shows including New Girl and The Bear. Reiner also co-founded the successful Castle Rock Entertainment production company.
He was married to Laverne & Shirley actress Penny Marshall from 1971 to 1981 and is the adoptive father to Marshall's daughter, actress Tracy Reiner.
He married Michele Reiner, an actress, photographer and producer, in 1989, later recalling that they met during the making of When Harry Met Sally. The couple have three children together. Michele owned the Reiner Light photography agency and production house.
Reiner was also an active campaigner for social and political causes, and for Democratic political candidates.
Politicians who paid their own tributes include Obama, who said: "Rob's achievements in film and television gave us some of our most cherished stories on screen. "But beneath all of the stories he produced was a deep belief in the goodness of people - and a lifelong commitment to putting that belief into action."
It is not clear what reports the president is referring to, and while the investigation is being treated as a homicide, police have yet to comment on any possible motive.
The title refers to the Sandinistas in Nicaragua, and its catalogue number, 'FSLN1', refers to the abbreviation of the party's Spanish name, Frente Sandinista de Liberación Nacional., the album spawned three singles "The Call Up", "Hitsville UK" & "The Magnificent Seven" and "Bankrobber" which not appear on the album.
The album was recorded over most of 1980, in London, Manchester, Jamaica and New York. It was produced by the band (primarily Mick Jones and Joe Strummer), recorded and mixed by Bill Price, and engineered by Jeremy "Jerry" Green (Wessex Sound Studios), J. P. Nichols (Electric Lady Studios), Lancelot "Maxie" McKenzie (Channel One Studios), and Bill Price (Pluto + Power Station Studios).
When recording began in New York, bass guitarist Paul Simonon was busy making a film called Ladies and Gentlemen, The Fabulous Stains, and he was replaced briefly by Ian Dury and the Blockheads bassist Norman Watt-Roy; this later caused some bad feeling when Watt-Roy and keyboard player Mickey Gallagher, a fellow Blockhead, claimed they were responsible for co-composing the song "The Magnificent Seven", as the song was based on a tune of theirs. Watt-Roy and Gallagher would subsequently be given a co-writing credit. Dread, too, was upset that he was not credited as the album's producer, although he was credited with "Version Mix". Other guests on the album include singer Ellen Foley (Jones' partner at the time), guitarist Ivan Julian formerly of the Voidoids, harmonica player Lew Lewis (formerly of Eddie and the Hot Rods), and Strummer's old friend and musical collaborator Tymon Dogg, who plays violin, sings on and wrote the track "Lose This Skin"; he later joined Strummer's band the Mescaleros.
The Afghan Whigs are back with their first new music since 2022's How Do You Burn? . The band has released two new cover songs, taking on "Downtown" by Still Corners and "Fake Like" by Poliça.
They turn the former into a shuffling rock cut with an emphatic vocal delivery from Greg Dulli, while the latter is an emotive piano-led ballad. Dulli said: “Both of these songs were born out of soundcheck jams. Each song holds a particular resonance for me and I really felt the lyrics, so they both flowed freely and felt good to sing.”
1. Downtown (Still Corners Cover)
2. Fake Like (Poliça Cover)
Released on 9 December 1985 "Fine Young Cannibals" was the debut album by the English rock band Fine Young Cannibals, the album featured the singles "Johnny Come Home", "Blue" & "Suspicios Mind".
The self-titled album from Fine Young Cannibals was one of those debut albums with so much promise, it also had the misfortune of living in the shadow of their second album The Raw & The Cooked, which brought them global fame.
Nevertheless, the band came about under not-so-great circumstances. Back in 1983, bassist David Steele and guitarist Andy Cox of the English Beat discovered through a phone call from the band's accountant that their two lead singers, Dave Wakeling and Ranking Roger, had left the popular band to form a new group, General Public. Instead of trying to resurrect the English Beat, Steele and Cox came up with the idea to form their own band.
Frustrated after not finding what they were looking for in a frontman until they remembered the guy from a ska band from Hull called Akrylykz that supported the English Beat on their British tour. Even though he was the sax player who occasionally sang vocals, there was something about him that stuck with them. They found Roland Gift performing with an R&B/Soul group called Bones and he was singing lead and had that something extra that they needed, so Steele and Cox brought him on board. They came up with the name Fine Young Cannibals from a 1960 film called All The Fine Young Cannibals, starring Robert Wagner and Natalie Wood.
Initially, Fine Young Cannibals had trouble getting signed to a record deal, but a TV appearance changed all of that. The band was filmed performing "Johnny Come Home" on a show called The Tune, a Friday night program that showcased unknown bands.
Thanks to appealing voice of Gift's with certain elements of Redding, the hit single "Johnny Come Home" was practically the sound of the English Beat but without sounding like one of their albums, except for their common thread with their attacks on Thatcherism, like you can noticed in "Blue" which was backed by some ‘60s soul and a killer vocal by Gift. Another highlight from the record was the ballad "Funny How Love Is" to chilled the listener, and then of course the incredible "Suspicious Mind" featuring backing vocals from Jimmy Sommerville (Bronski Beat, The Communards). Written and originally recorded by Mark James but later made famous by Elvis Presley, now this version was absolute perfection and Gift and Sommerville's contrasting voices mix so well that it is my preferred version of the song.
Critics were mixed praising a variety of emotional shades, others highlighted Gift's casual authority as a vocalist and said that the lyrics strike a fine balance, noting the subtle and not so subtle toll politics and economics take on relationships. Definitely a powerful and satisfying debut which unfortunately has been overlooked by the massive succeed of their following album.
Martin Parr was born on May 23, 1952 in Epsom, Great Britain. By the
age of 14, Parr knew that he wanted to become a documentary
photographer. His grandfather George Parr, an amateur photographer and
fellow of the Royal Photographic Society, influenced his choice. Later,
from 1970 to 1973, Parr went on to study photography at Manchester
Polytechnic.
At the beginning of his career, Parr worked exclusively with black and white photography, creating a series titled The Non-Conformists about rural life and endangered non-Conformists chapels (in 2013, Aperture released his book by the same title: The Non-Conformists.
Photographs by Martin Parr). Since 1982, Martin Parr has switched
entirely to color photography and never returned to monochrome images.
Working in the genre of documentary photography, Martin Parr does not
disdain from Fashion shoots for the world's leading brands, but still
manages to retain his distinctive photographic handwriting.
Parr rose to prominence with his 1980s collection, The Last Resort, which depicted working-class visitors to the seaside town of New Brighton, with highly saturated shots of frazzled beachgoers lit by lurid flash.
In The Cost of Living, Parr captured gentrification under the government of Prime Minister Margaret Thatcher in the 1980s, documenting the middle classes keeping up appearances at suburban garden parties and fundraising events with an always satirical eye.
In an interview with ArtDependence Martin Parr said: "I shoot all classes and I am fascinated by everyone in their own environment. I am very democratic. When creating a portrait of people, I like to show their environment. It’s a good strategy."