MCMXC a.D. combines new-age music with dance rhythms, Gregorian chant and themes of religion and sexuality, for which it received generally positive reviews. The Gregorian chant was sampled from recordings by Capella Antiqua München, which resulted in the Munich-based choir's label, Polydor Germany suing Cretu and Virgin Records for infringing on its "right of personality".
Back in 1987, Michael Cretu worked with Sandra on her song "Everlasting Love". Cretu experimented with Gregorian chant while working on the song with Sandra, and the chants appeared at the beginning of her song. He would become fascinated with incorporating archaic sounds into contemporary songs. Michael Cretu married Sandra in 1988 and came up with the idea of a new-age musical project, which would become known as "Enigma".
The album was recorded in 1990 in eight months at A.R.T. Studios, Cretu's studio located on the Spanish island of Ibiza. Cretu conceived the album as one continuous song; his philosophy when creating it was, "Contrary to the usual record-company philosophy, people are open-minded and starved for something unique." Cretu produced MCMXC a.D., with creative input from Frank Peterson and Fabrice Cuitad.
The first song recorded for the album was "Sadeness (Part I)". After making the song, Michael told Sandra Cretu: This will be a huge hit or nothing at all. "Sadeness (Part I)" was released as a single on 1 October 1990. Michael Cretu wanted to be anonymous and wished for the single not to be promoted. He believed that it was not important for consumers to know who the producer is and wanted them to buy the single for the music itself. Due to this, he was credited as Curly M.C., while Peterson was credited as F. Gregorian, and Cuitad was credited as David Fairstein. Virgin Records promoted the song with radio and club-play only. Despite having virtually no promotion, "Sadeness (Part I)" became an international hit and reached number one in Germany faster than any previous new release, and prior to the completion of its music video.
MCMXC a.D. was 40 minutes and 16 seconds long and divided into seven tracks, two of which contain three separate songs each. The track "Principles of Lust" contains "Sadeness", "Find Love", and "Sadeness (Reprise)"; and "Back to the Rivers of Belief" contains "Way to Eternity", "Hallelujah", and "The Rivers of Belief". The album encompasses a range of genres, including new-age, worldbeat, and pop music;and it utilizes hip-hop and dance rhythms. The album was well known for its mixing of Gregorian chant and other religious overtones with sexuality; the lead single, "Sadeness (Part I)", was the prime example. It is a common misconception that, because "Sadeness (Part I)" employs Gregorian chants, the entire album contains such chants.
"The Voice of Enigma" was written solely by Cretu, and starts with a foghorn sound that is known as the "Enigma horn". After the foghorn, Louisa Stanley (an executive at Virgin Records at the time) started talking and invited the listener to relax and take a deep breath, while an environmental soundscape plays in the background. "The Principles of Lust" track employs a drumbeat throughout similar to the R&B 1989 song "Keep On Movin'" by Soul II Soul, flute synth lines, and Cretu's whispers and "orgasmic breathing" that mark the song breaks. The first part, "Sadeness", includes a Gregorian chant taken from the track "Procedamus in pace!" from the 1976 album Paschale Mysterium by Capella Antiqua München. It also includes contributions from Fabrice Cuitad and Peterson. The song's French lyrics are a quizzical look at, and defense of, the 18th-century writer Marquis de Sade, who was notorious for writing literature delving into themes of sexual violence and domination.
"Callas Went Away" was written solely by Michael Cretu, and samples Maria Callas's singing. "Mea Culpa" was written by Cretu and Fabrice Cuitad and is a follow-up to "Sadeness". Like "Sadeness", "Mea Culpa" samples Gregorian chant from the Capella Antiqua München and thus evokes the same atmosphere. The song's theme "centers around guilt", according to the official Enigma website."The Voice & the Snake" is based on the Book of Revelation and was sampled from "The Seven Bowls," which is the eighth track on the final album of the prog-rock band Aphrodite's Child, 666, released in 1972. "Knocking on Forbidden Doors" was written solely by Cretu. The "Back to the Rivers of Belief" track's three songs were mainly written by Cretu, with the song "The Rivers of Belief"—which centers around the Indian river Ganges and differs from the other songs in being more soulful—including contributions from Fabrice Cuitad.
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