The album sleeve, created by Peter Saville, is a photograph of a sheet of titanium–zinc alloy. Some early releases came in a metallic sleeve.
As for the album's sound, it explored post-punk and electronica blended with rock and disco, creating a vibe that bordered on the schizophrenic: synthesizers dominated one side of the spectrum while the other was given over entirely to guitars—a contrast evident throughout the record. There was the sonic frenzy of "Every Little Counts," while "All Day Long" revealed the curious influence of Richard Wagner (a track the band would later use to open their concerts).
The flawless "Bizarre Love Triangle" was the main a gem—a synth-pop classic—though, interestingly, the song failed to crack the Top 40 in either the UK or the US despite its outstanding quality. Its music video, directed by Robert Longo, enjoyed heavy rotation on MTV and remains a cult classic in every sense.
Then there was "State of the Nation," clearly a protest song, and the playful "Every Little Counts." The album received generally favorable reviews for the sound they achieved, although some critics felt it offered nothing new regarding the band's sonic identity. Yet, one could argue that with this record, the band was attempting to shed the "Joy Division" label, aiming to prove that their sound was uniquely New Order—and they succeeded. It was a blend of sonic beauty and complex creativity, grappling with everything around them—including their own past. That is precisely where the album's achievement lies: in championing a sound that was more pop-oriented and accessible than their earlier, darker musical offerings.

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