The band originally envisioned Know Your Enemy as two separate albums with very different sounds and concepts, with the intention of releasing both on the same day. The record label vetoed the idea and a compromise was made, resulting in a single, lengthy, very diverse record. Whilst the album sold well, it did not match the success of its predecessor, This Is My Truth Tell Me Yours. Critics were somewhat divided in their opinions at first, but its reception since has been more positive.
The album departed from the arena rock of the band's previous two albums, featuring a rougher, less polished sound. It also displays influences from a much wider range of styles than before. They atributed the "riotous" punk sound of the tracks "Found That Soul", "Intravenous Agnostic", and "Dead Martyrs" to the influence of Sonic Youth and Joy Division and the jangle-pop of "The Year of Purification" and "Epicentre" to R.E.M. The tracks "So Why So Sad" and "Miss Europa Disco Dancer" were described as "a Beach Boys homage" and "a disco parody" respectively, while "My Guernica", "His Last Painting" and "The Convalescent" were described as "dark, marching and charging post-punk anthems".
The album featured Nicky Wire's debut as a lead vocalist, on the track "Wattsville Blues", and James Dean Bradfield's debut as a lyricist, on "Ocean Spray". Kevin Shields of My Bloody Valentine guested on guitar on two tracks.
The left-wing political convictions of Manic Street Preachers were apparent in many of the album's songs. "Baby Elián" comments on the strained relations between the United States and Cuba as seen in the Elián González affair. The band also pays tribute to singer and Civil Rights activist Paul Robeson in the song "Let Robeson Sing".
About the political side of the record, Wire told: "Unfortunately it was four years before everyone else got interested in politics. It took everyone else a war. Where have these people been the last four years? Forty years? American foreign policy's never changed. There's a track called 'Freedom of Speech Won't Feed My Children' about forcing freedom on societies that says everything we ever needed to say." Wire also described the album as "a deeply flawed, highly enjoyable folly".

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