Released on 24 May 2024, "Model" is the third studio of the American indie rock band Wallows, it follows their 2022 studio album, Tell Me That It's Over. The album has spawned five singles so far "Your Apartment", "Calling After Me", "Bad Dream", "A Warning", and "You (Show Me Where My Days Went)". Throughout those months the band prepared fans for a vividly vibrant, never-ending record of summer hits
Formed by guitarists/vocalists Dylan Minnette and Braeden Lemasters as well as drummer Cole Preston, the band originated in 2017 when they released their first single, "Pleaser," followed by their EP "Spring" in 2018. Ever since, the trio and the spotlight have gone hand in hand, embarking on a journey as they do throughout “Model.”
The album opener "Your Apartment," paves the way with Lemasters on guitar, holding the same rhythmic stroke for seven seconds before Preston relinquishes the drums, followed by Minnette on lead vocals. "Anytime, Always" is the following track, one that can genuinely be played anytime, always. Even though the repetition of these words within the chorus doesn’t set the song up for anything mind-blowingly spectacular, one can’t deny the overall effect it possibly has as another summer hit. "Calling After Me" is vocally led by Minnette again, with the guitar, bass and drums keeping a simple yet catchy tempo. The lyrics illustrate a newly forming relationship, exploring the toxicity and exhilaration of withholding a secret from the public eye. "Bad Dream," as Lemasters flips the script, wholly switching to a muddled, slow-mo vibe. However, the synth can never be left behind, strangely intervening after choruses before the following verse, now dual lead vocals are evident in "A Warning" by Minnette and Lemasters, a punchy bass kicking the album back up a notch from the previously muted sound. The lyrics reference unrequited love as the narrator begrudgingly recognizes their partner is no longer in love with them but is slowly and surely falling out of love.
The track six "I Wouldn’t Mind," is the only track on the album with vocals by Preston and only the third throughout the band’s discography, it surely attracts attention. The vocals can’t grasp a hold of the abnormally drum-heavy instrumentals in the background, veering to and from every direction rather than straight ahead. Coated with a bizarre whistled melody, this one is a possible skip. "You (Show Me Where My Days Went)," the synth reappears, flaring throughout the first 15 seconds of the song. When track eight begins, a sparkly and summery intro ensues. "Canada" is promising, though the tone abruptly transitions with intimate and gentle vocals by Minnette. With such soft lyrics, it’s difficult to hear them over the resounding instrumentals, meshing with two different intentions. It’s simply mediocre, not even kept as an afterthought. "Don’t You Think It’s Strange?" is easily the standout track. Track nine sees vocals from Lemasters, and the instrumentals at the beginning bring with them vibes of Portugal. The Man. The track ten "She's an Actress," is a stark turnaround from track nine. It’s forgettable at best; at worst, it struggles to seize attention and lacks uniqueness. Sonically, there’s nothing wrong, but it’s nothing fans haven’t heard before. now "Going Under," epitomizes the overall album vibe. With full layering and slowed vocals by Lemasters, the dreamy tone persists from earlier tracks, to finish with the track twelve and final "Only Ecstasy" it’s the longest song by a minute, lyric significance becomes displaced within the verses, followed by the bridge becoming an assortment of oohs. The atmospheric expanse stirred throughout the other two songs builds upon itself.
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