Initially the plan was just to get some records made and put out but with the intention of having a revolving guest vocalist on each single they created. The idea was also to make a record inspired by the mix tapes that they used to hand to each other as mates – tapes which would include favourite music preceded by clips from movies and adverts. When they met Sarah Cracknell however, who had a great voice and who they got on well with, the idea of having guest vocalists was forgotten and Sarah became the permanent singer with the band, the eleven more consistently interesting albums followed.
Their thirteenth and final album. International isn’t a sad and regretful farewell. It’s a joyous final party. It’s also meeting of friends and influences. The title of the album (also the name of a track on the early influential OMD album Dazzle Ships) reflects their cosmopolitan viewpoint; voice clips include Swedish, Japanese and French samples.
Saint Etienne, the group
who began as an indie-dance project are going out with a party album
full of big, bright bangers, produced by Tim Powell, formerly of Girls Aloud/Sugababes team Xenomania. Lead single Glad, the Chemical Brothers/Doves
collaboration which opens proceedings, sets the tone.
Such
guest appearances are a recurring feature of International, as if the
trio are ticking off the wishlist while they still can. On The
Go-Betweens, it’s Nick Heyward. On Two Lovers, a Brief Encounter-style narrative about a couple “forced into secrecy”, it’s Vince Clarke.
On the spy movie-sounding "Take Me To The Pilot" it’s Orbital’s Paul
Hartnoll. Best of all is the bright-eyed and bushy-tailed Brand New Me, a
cousin to Foxbase classics Nothing Can Stop Us or Springtime, with
spoken-word soliloquys from Crackers and guest vocals from Confidence
Man’s Janet Planet.
The between-song interludes which
characterised their early albums are back, some of them (in Swedish or
Japanese) emphasising the international theme, and others Easter Egg
callbacks for the real Etienne heads. These include Colin Murray reciting the same pre-Countdown Conundrum spiel that Richard Whiteley delivered on Foxbase Alpha, and Katie Puckrik
recalling the time a chemically altered Pete Wiggs told her during a
backstage Glastonbury interview that his biggest influence was “Mothra,
the giant moth”.
Sarah Cracknell reportedly cried during the
recording of album closer The Last Time, which reflects on the changes
in the group’s lives over 30-odd years. The opening track, Glad, was the first song from the album to
be released as a single and has Sarah Cracknell’s voice at its sweetest
with a track arranged by Chemical Brother Tom Rowlands and a lovely
echoey sample reminiscent of Behaviour era Pet Shop Boys. "Dancing Heart" is a straightforward late night euphoric dance song while Nick Heyward duets on "The Go Between", his
voice sounding mature and unrecognisable at first but obviously an
early influence along with Vince Clarke who also contributes to the
album.
"Sweet Melodies" also has a Pet Shop Boys tinge to it and, in keeping with the title, a haunting melody, while the equally haunting "Take Me to The Pilot", has contributions from Orbital's Paul Hartnoll. Brand New Me, also released as a single accompanied by an Archies style animated video, has Sarah duetting with Janet Planet from Confidence Man. Tim Powell of Xenomania produces a lot of the album with the band.

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