Monie Love career began thru a few cameos the rapper made in
89′: one, on the remix to De La Soul’s classic posse cut "Buddy", and the
other on Queen Latifah's "Ladies First". These would work in
Monie's favor, since both songs were released as singles,
whose videos got a lot of airtime back in the day and expose the world
to Monie's charm and cuteness. This would eventually lead to
Monie inking a deal with Warner Bros. and releasing her debut album Down to Earth in 1990, making her the first british hip-hop artist (male or female) singed to a major label.
Down to Earth would
go on to be a commercial success, earning Monie a Grammy nod for Best
Rap Solo Performance in 1990 for "Monie In The Middle", and again the
following year for "It's A Shame (My Sister)".
The album highlights include: "Monie In The Middle" her first single released from the album found Monie sharing a tale of a high school love triangle that she's involved in, then the brilliant "It's Shame (My Sister)" remained as the main favourite from listeners in her entire catalog just two albums. The production duo of Cox & Steele worked again, this time sampled The Spinners classic of the same title (minus the “My Sister”). Monie used this one to encourage a friend in a bad relationship to call it quits and move on. "Don’t Funk With The Mo" Afrika Baby Bambaataa (of the Jungle Brothers), Kevin Maxwell, and Jerry Callendar collaboratedfor their first production credit of the evening. They provided a simple funk instrumental for Monie to gave a brief run down of her start in the rap game, which includes a crooked producer who tried to get more credit than deserved for his role in getting her signed, another good one was "Ring My Bell" back in 1990 when house music was the link and then everyone including hip hop jumped on it, Monie Love was not exempt from that fairweather ride. "R U Single" was Monie’s posing question to a prospect."Just Don’t Give A Damn" the production firm of Afrika & Associates somewhat redeems himself from the previous song’s failure, and provided a decent backdrop for Monie to discuss a relationship with her man who has left her the victim of domestic violence, "Down 2 Earth" was a true humility, "I Do As I Please" Cox & Steele returned to the production helm for this one, but unfortunately the magic just passed,
"Pups Lickin Bone" for this one Monie recruited JuJu from the world-famous Beatnuts to provided the instrumental for her calling out of a gardening tool trying to work her man’s field. "Read Between The Lines" it was based on the instrumental, which was, surprisingly brought to you courtesy of no other then…Afrika & Asscociates "Swiney Swiney" again Afrika & Associates provided a stale instrumental for Monie to proclaimed her distaste for the other white meat. and finally "Grandpa’s Party" which was like a mess but one of her finest of the record.

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