The first, cohesive account of a seminal period in UK music history affectionately referred to as ‘Indie Sleaze’. At the turn of the millennium, Britain was suffering from a
post-britpop hangover. The whirlwind successes of Oasis and Blur had
fizzled out and the British music industry, stagnant and directionless,
was churning out bland singer-songwriters, identikit girl-groups and
boybands – music culture was a vacuum, waiting to be filled.
However, across the Atlantic, something was brewing. In New York City, The Strokes were exploding across the music scene, igniting a new wave of rock’n’roll that catalysed and inspired a new genre: indie rock. Suddenly, kids from both sides of the Atlantic wanted to pick up an instrument, cause a ruckus and join a band. Spawned out of regional D.I.Y scenes and the success of genuinely independent labels and venues, this is the story of ‘the last indie scene’ in the UK.
Based on thrilling, informative and often hilarious interviews, The
World Was A Mess But His Hair Was Perfect chronicles the legendary gigs,
records, parties, drugs and cheap decadence that coalesced to form a
messy, dissolute movement and subculture. An impactful and entertaining
social history, author Janine Warren conducts personal interviews with
core movers and shakers from the era: from members of the Libertines,
Franz Ferdinand, Bloc Party and The Cribs, as well as pivotal figures
such as controversial NME editor Conor McNicholas and superstar producer
Paul Epworth.
Title: The World Was A Mess But His Hair Was Perfect "The Last Indie Music Scene 2000-2010"
Author: Janine Warren
Pages: 336
Publisher: Omnibus Press
Language: English
Format: Hardback

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