Iron Maiden began writing new songs near the end of 2005, after a break following their hugely successful festival dates in the US and Europe during the Eddie Rips Up the World Tour. After taking time off over Christmas, the songs were completed and the band began recording at Sarm West Studios in London, with their regular producer, Kevin Shirley. The album was recorded from 1 March to 4 May 2006.
To provide a more "live" sound, the album was not mastered. Shirley said, "Spoke to 'Arry (Steve Harris) on Friday, who has decided against mastering the Iron Maiden album ... It means that you will get to hear the new album exactly as it sounded in the studio, no added EQ, compression, analogue widening, etc., and I must say, I am pretty happy with the end result. Lead vocalist Bruce Dickinson commented that "Everyone was up for pushing things as far as they'd go, but the record was so easy to make." Dickinson went on to claim that they "finished the record with two months to spare," with Harris adding, "A lot of what you hear are first time takes." Speaking about the record's musical style, Harris states that "It is heavier than we've ever been, but also very progressive. And I don't mean that in the modern sense, but like Dream Theater, more in a 70s way."
A Matter of Life and Death is Iron Maiden's fourth studio album that does not have a title track, following Piece of Mind, The X Factor and Virtual XI. Drummer Nicko McBrain and guitarist Janick Gers claim that the band originally intended to name the album after one of its tracks, with both "The Pilgrim" and "The Legacy" being considered. According to Gers, "sometimes a title will just leap out at you as the obvious choice, but it didn't this time for some reason", so the band decided on A Matter of Life and Death, which, according to McBrain, was amongst "two or three ideas which we were kicking around". Neither Gers nor McBrain can remember who came up with the title, which they state was thought up by either Harris, Rod Smallwood (the band's manager) or "Drew" (an engineer at Sarm West Studios).
The album cover was created by Tim Bradstreet, an American artist, best known for his work on the Hellblazer and Punisher comics. A lifelong Iron Maiden fan, who drew much influence from Derek Riggs' artwork for them, Bradstreet described the opportunity as "one of my wildest dreams". He had a tight schedule, receiving for reference the songs to listen to and key art done by Peacock Designs UK, who directed the booklet's artwork. Along with redrawing a few of the original elements – which featured the tank described by Bradstreet as "Korean War era but with a twist" as the gun barrel is patched over from another vehicle – Bradstreet added Eddie as a general leading an army of skeletons. Bradstreet's colourist partner Grant Goleash finished the art, which was then retouched by Peacock. The back cover would originally feature Eddie shot on the back, but then the band opted to instead feature a detail of the tank icon featuring Eddie's head along with crossed guns.
The first single to be released from the album was "The Reincarnation of Benjamin Breeg", released on 14 August 2006. On 10 August, "Different World" was made available for public streaming on the band's website, as was "Brighter than a Thousand Suns" the following day. "Different World" was the second single, receiving airplay on many rock radio stations. The song also features an animated video, similar to that of "Wildest Dreams."
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